Powerful in its cleareyed optimism.
In her debut children’s book, a Dreamer recalls her journey from Mexico to New York and the subsequent reality of living as an undocumented immigrant.
Areli’s tale begins at Abuela’s house, where days brim “with family and sunshine,” delicious “mounds of tortillas and pollo con frijoles for supper,” and calls from Mamá and Papá from America. It’s an idyllic life, but it’s undercut when Areli’s big brother, Alex, born in America, returns to Nueva York, leaving Areli behind. Though Mamá and Papá work hard for “a better life,” the days pass—Areli’s birthday, Día de los Muertos, Navidad—with Areli separated from her family. Then one day Areli must leave Mexico and head to New York with a family friend. It’s a time of difficult goodbyes for Areli, and in the span of a few wordless pages, Areli’s in the midst of the “bigger and faster and noisier” bustle of New York, reunited with her family. In scene after scene of Areli’s life, Uribe’s colorful yet muted artwork depicts the young Dreamer’s voyage from Abuela’s house to America with a lovely sense of restrained appreciation. Morales, a DACA recipient, spins an admirable third-person memoir that deeply resonates thanks to keen details that conjure moods with a few choice words. Although Areli’s tale packs years of experiences in a tight 40-page picture book, the author maintains command of her readers’ attention by translating a life-disrupting migration into a confident, heartfelt story. Key highlights include Areli’s adjustment to life in America and an eye-opening trip to Ellis Island in the latter half of the book.
Powerful in its cleareyed optimism. (author’s note, glossary) (Picture book/memoir. 4-8)Pub Date: June 8, 2021
ISBN: 978-1-984893-99-4
Page Count: 40
Publisher: Random House Studio
Review Posted Online: May 4, 2021
Kirkus Reviews Issue: May 15, 2021
PERSPECTIVES
Enthusiastic and direct, this paean has a lovely ring to it.
Former National Youth Poet Laureate Gorman invites girls to raise their voices and make a difference.
“Today, we finally have a say,” proclaims the first-person plural narration as three girls (one presents Black, another is brown-skinned, and the third is light-skinned) pass one another marshmallows on a stick around a campfire. In Wise’s textured, almost three-dimensional illustrations, the trio traverse fantastical, often abstract landscapes, playing, demonstrating, eating, and even flying, while confident rhymes sing their praises and celebrate collective female victories. The phrase “LIBERATION. FREEDOM. RESPECT” appears on a protest sign that bookends their journey. Simple and accessible, the rhythmic visual storytelling presents an optimistic vision of young people working toward a better world. Sometimes family members or other diverse comrades surround the girls, emphasizing that power comes from community. Gorman is careful to specify that “some of us go by she / And some of us go by they.” She affirms, too, that each person is “a different shape and size,” though the art doesn’t show much variation in body type. Characters also vary in ability. Real-life figures emerge as the girls dream of past luminaries such as author Octavia Butler and activist Marsha P. Johnson, along with present-day role models including poet and journalist Plestia Alaqad and athlete Sha’carri Richardson; silhouettes stand in for heroines as yet unknown. Imagining that “we are where change is going” is hopeful indeed.
Enthusiastic and direct, this paean has a lovely ring to it. (Picture book. 4-8)Pub Date: Jan. 7, 2025
ISBN: 9780593624180
Page Count: 32
Publisher: Viking
Review Posted Online: Oct. 12, 2024
Kirkus Reviews Issue: Nov. 15, 2024
BOOK REVIEW
BOOK REVIEW
A well-meaning but lackluster tribute.
Readers bid farewell to a beloved canine character.
Momo is—or was—an adorable and very photogenic border collie owned by author Knapp. The many readers who loved him in the previous half-dozen books are in for a shock with this one. “Momo had died” is the stark reality—and there are no photographs of him here. Instead, Momo has been replaced by a flat cartoonish pastiche with strange, staring round white eyes, inserted into some of Knapp’s photography (which remains appealing, insofar as it can be discerned under the mixed media). Previous books contained few or no words. Unfortunately, virtuosity behind a lens does not guarantee mastery of verse. The art here is accompanied by words that sometimes rhyme but never find a workable or predictable rhythm (“We’d fetch and we’d catch, / we’d run and we’d jump. Every day we found new / games to play”). It’s a pity, because the subject—a pet’s death—is an important one to address with children. Of course, Momo isn’t gone; he can still be found “everywhere” in memories. But alas, he can be found here only in the crude depictions of the darling dog so well known from the earlier books.
A well-meaning but lackluster tribute. (Picture book. 4-8)Pub Date: Feb. 6, 2024
ISBN: 9781683693864
Page Count: 32
Publisher: Quirk Books
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
BOOK REVIEW
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