by Ariel Andrés Almada ; illustrated by Sonja Wimmer ; translated by Jon Brokenbrow ‧ RELEASE DATE: April 1, 2013
Though the abrupt ending will raise more questions than answers, this is a grand story wrapped up in delicious packaging.
Like Water for Chocolate for the picture-book set.
In this gentle tale, Annie is born blind but in time learns to navigate the world not through touch or memory, but smell. This talent serves her well in the kitchen, where her talent extends to creating meals that evoke fond memories and bring folks out of funks. When a melancholy young man named Julian comes to her for a cure for his lethargy, it becomes clear that the solution to his problem isn’t the cooking but the cook herself. And when Annie finds their conversations solve Julian’s problems, not her creations, she decides to make him something special. Though the tale is arguably an irresponsible and romanticized vision of blindness (a child might easily misunderstand why it is that Annie only opens her eyes at the very end), Almada’s magical realism tips the story into the realm of fable. Wordier than your average picture book, the translation is still light on its feet and enjoyable to the ear. Better still are Wimmer’s effervescent illustrations, which dance about the text, bringing it fully to life.
Though the abrupt ending will raise more questions than answers, this is a grand story wrapped up in delicious packaging. (Picture book. 4-8)Pub Date: April 1, 2013
ISBN: 978-84-15619-48-2
Page Count: 24
Publisher: Cuento de Luz
Review Posted Online: Feb. 26, 2013
Kirkus Reviews Issue: March 15, 2013
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by Ariel Andrés Almada ; illustrated by Sonja Wimmer ; translated by Jon Brokenbrow
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by Ariel Andrés Almada ; illustrated by Sonja Wimmer ; translated by Jon Brokenbrow
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by Ariel Andrés Almada ; illustrated by Sonja Wimmer ; translated by Jon Brokenbrow
by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Sarah Jennings
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by Tish Rabe ; illustrated by Dan Yaccarino
by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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by Marilyn Sadler ; illustrated by Stephanie Laberis
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by Eric Comstock & Marilyn Sadler ; illustrated by Eric Comstock
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by Marilyn Sadler ; illustrated by Ard Hoyt
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