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I HAVE A BALLOON

With an open-ended, wordless conclusion inviting predictions and possibilities, this tightly paced narrative soars above its...

Bernstein’s debut featuring an owl holding a balloon begins with a spoiler alert on the jacket flap: “This is NOT a book about sharing.”

It is, however, an honest, humorous depiction of how one might cling to or covet possessions—behaviors that both children and adults will recognize. The story starts simply. Sitting on a branch in the woods, Owl proclaims the titular sentence to a nearby monkey. As the primate offers observations, the owl incorporates the adjectives into longer declarations: “That is a shiny red balloon,” says the monkey. “I have a shiny red balloon,” Owl agrees. Desperate to have the object, Monkey zooms through the pages offering trades, but neither the teddy bear, sunflower, robot, ball, etc., do the trick. Magoon’s digital caricatures provide the emotional content that will elicit identification and laughter. His funky monkey and staid owl are entertaining foils, and the would-be trader’s pratfalls recall Warner Bros. cartoons. It is ultimately a star-studded sock with a hole in it that gives Owl pause. Here there is more text as each character imagines wearing the sock on different body parts and using it for puppet performances. Then it is Owl who turns on the charm to no avail. They are each left with the metaphorical shoe on the other foot, until a raccoon wielding an ice cream cone appears.

With an open-ended, wordless conclusion inviting predictions and possibilities, this tightly paced narrative soars above its message-driven counterparts. (Picture book. 3-7)

Pub Date: Sept. 26, 2017

ISBN: 978-1-4814-7250-0

Page Count: 40

Publisher: Paula Wiseman/Simon & Schuster

Review Posted Online: May 9, 2017

Kirkus Reviews Issue: June 1, 2017

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CARPENTER'S HELPER

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.

A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.

Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)

Pub Date: March 16, 2021

ISBN: 978-0-593-12320-1

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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LOVE FROM THE VERY HUNGRY CATERPILLAR

Safe to creep on by.

Carle’s famous caterpillar expresses its love.

In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.

Safe to creep on by. (Picture book. 3-6)

Pub Date: Dec. 15, 2015

ISBN: 978-0-448-48932-2

Page Count: 32

Publisher: Grosset & Dunlap

Review Posted Online: Feb. 1, 2021

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