by Ariel Dorfman ‧ RELEASE DATE: Sept. 27, 2011
A somber, moving tribute to a life of ideals and struggle.
A beautifully crafted, searing memoir by the Chilean American writer about his dispersion and homelessness after fleeing the military junta of General Pinochet.
As a deeply engaged supporter of President Salvadore Allende, Dorfman (Desert Memories: Journeys Through the Chilean North, 2004, etc.) was banished from Chile when Pinochet seized power in 1973, assassinating the president and throwing the country into a convulsion of military repression and fear. Along with his wife and small son, Dorfman first sought refuge in Argentina (where he was born in 1942), then Amsterdam, Paris and finally the United States over the next 20 years—a bitter exile that defined and transformed him. A child of “perpetual wanderers”—his father, a communist, had been forced to leave Argentina with the family for Chile, then the U.S., before being hounded out during the McCarthy era—Dorfman was familiar with the miseries and loneliness of exile. He learned English early until his return to Chile at age 12, then immersed himself in the “language of insurrection,” Spanish. In exile, he used English to promote his lifelong pursuit to “vanquish silence” and expose the hideous human-rights abuses of the Pinochet dictatorship. Dorfman writes eloquently, even floridly, about his fiery early devotion to the peaceful socialist revolution of Allende, and that he and his starry-eyed generation were absolutely blindsided by the coup. In exile, his creative powers dried up (“What was happening to me, to us, was quite literally, unspeakable”), until he found courage in expression—his words would become “a territory where the dead could resuscitate.” Dorfman writes frankly of the morphing of his ideals, the seduction of America, the wariness with which he is regarded now by his Chilean compatriots and how he and his family decided not to stay in Chile when they finally returned in 1990.
A somber, moving tribute to a life of ideals and struggle.Pub Date: Sept. 27, 2011
ISBN: 978-0-547-54946-0
Page Count: 352
Publisher: Houghton Mifflin Harcourt
Review Posted Online: June 28, 2011
Kirkus Reviews Issue: July 1, 2011
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by Ariel Dorfman ; illustrated by Chris Riddell
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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PERSPECTIVES
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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