A clever, dramatic presentation of a tragic historical event. Suspenseful and fun.
An Agatha Christie–style page-turner exploring the unsolved mystery of the 1937 Hindenburg explosion.
As Lawhon (The Wife, the Maid and the Mistress, 2014) charmingly explains in her Author's Note at the end of this novel, "If you're going to call bullshit on historical events, you'd best have a good theory to offer as an alternative." What she questions and upends in her speculative version of what happened between the takeoff of the Hindenburg from Frankfurt, Germany, on May 3, 1937, and its disastrous landing three days later in Lakehurst, New Jersey, is the assertion made by survivors that it was "an uneventful flight." Building on a dense scaffolding of biographical and historical fact, Lawhon invents personalities and relationships for key passengers, chooses from the extant theories about what caused the fire, and spins it all into a web of airborne intrigue. Each section is labeled for a different character. "The Stewardess" is Emilie Imhoff, a capable and lovely young widow who's beginning to return the devoted affections of "The Navigator," Max Zabel. "The Journalist" is Gertrud Adelt. She's traveling with her much older husband, her press card has recently been revoked by the Nazis, and she's missing her baby son terribly, but she's distracted from her worries by suspicions of a bomb threat as well as by a scheming, sketchy character called "The American." Then there's the adorably awkward 14-year-old "Cabin Boy," Werner Franz, whose many responsibilities include taking care of a mysterious unclaimed dog kept in a crate in the cargo hold. Werner's budding romance with a passenger his age is one of the plotlines that amps up the anxiety about who will be among the 62 who survive the explosion and who among the 35 killed. As the disaster inches closer with every chapter—each begins with a countdown in days, hours, and minutes—Lawhon evokes the airborne luxury of the ship—the meals, the cocktails, the smoking room, and the service—in such detail that you end up feeling a little sad that the stately flight of the Hindenberg marked the end of passenger travel by airship forever.
A clever, dramatic presentation of a tragic historical event. Suspenseful and fun.Pub Date: Feb. 16, 2016
ISBN: 978-0-385-54002-5
Page Count: 304
Publisher: Doubleday
Review Posted Online: Sept. 22, 2015
Kirkus Reviews Issue: Oct. 1, 2015
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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