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NOAH'S CATS AND THE DEVIL'S FIRE

In a Romanian version of the biblical story, the devil disguises himself as a mouse and sneaks aboard the Ark after Noah orders him away. Repeatedly, the devil-mouse contrives mischief; but Noah fails to see the dirt after the mouse bathes in his washbowl, only noticing how pleasantly warm the water is; and when it gnaws holes in the grain sacks, he is happy to find that the ducks have already been fed. The devil's worst miscalculation is in enlisting the two real mice to help gnaw through the hull; Noah knows that three is the wrong number and calls his cats, who oust the intruder—thus acquiring sparks in their fur. Olson's vigorous retelling compels attention with its use of concrete, amusing detail. Moser sets the story in a rain-drenched world with many of the full-bleed illustrations painted in black watercolor on a ground of luminous deep blue-green, like the eerie light of a violent summer storm. Other illustrations are dramatic close-ups, their low vantage points and cropped edges pulling the viewer into awesome scenes: the red-eyed mouse peering from the gloom beneath a lion's face; the fuming devil, a gargoyle of fire and dark. Here, Moser, known for his subtle portraits, not only interprets and enriches the story with intriguing detail but propels it with the design's flow from page to page; as for St. Jerome and the Lion (1991), Moser's elegant typography incorporates exquisite calligraphic titles. An outstandingly handsome setting for a winner of a story. (Folklore/Picture book. 5-11)

Pub Date: March 1, 1992

ISBN: 0-531-05984-7

Page Count: 32

Publisher: Orchard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 1992

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TALES FOR VERY PICKY EATERS

Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)

Pub Date: May 1, 2011

ISBN: 978-0-547-14956-1

Page Count: 48

Publisher: Clarion Books

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: April 1, 2011

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ABIYOYO RETURNS

The seemingly ageless Seeger brings back his renowned giant for another go in a tuneful tale that, like the art, is a bit sketchy, but chockful of worthy messages. Faced with yearly floods and droughts since they’ve cut down all their trees, the townsfolk decide to build a dam—but the project is stymied by a boulder that is too huge to move. Call on Abiyoyo, suggests the granddaughter of the man with the magic wand, then just “Zoop Zoop” him away again. But the rock that Abiyoyo obligingly flings aside smashes the wand. How to avoid Abiyoyo’s destruction now? Sing the monster to sleep, then make it a peaceful, tree-planting member of the community, of course. Seeger sums it up in a postscript: “every community must learn to manage its giants.” Hays, who illustrated the original (1986), creates colorful, if unfinished-looking, scenes featuring a notably multicultural human cast and a towering Cubist fantasy of a giant. The song, based on a Xhosa lullaby, still has that hard-to-resist sing-along potential, and the themes of waging peace, collective action, and the benefits of sound ecological practices are presented in ways that children will both appreciate and enjoy. (Picture book. 5-9)

Pub Date: Oct. 1, 2001

ISBN: 0-689-83271-0

Page Count: 40

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2001

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