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MING LO MOVES THE MOUNTAIN

A noodle story with an Oriental setting, this is something like the old joke about Mohammed going to the mountain. Ming Lo and his wife, however, "move the mountain" by walking backwards away from it. This is after they have suffered from living at the foot of the mountain with no sun, rocks falling through the roof, and rain falling through the holes the rocks make. So Ming Lo's wife demands that he move the mountain and sends him to the wise man for advice. When the wise man's first three suggestions fail (push the mountain with a felled tree, scare it away with noise, please it with cakes), he finally advises the pair to dismantle their house, pick up the pieces, and do a "mountain-moving dance" by putting each foot, in turn, behind the other "for many hours." Once this is accomplished, Ming Lo and his wife rebuild, confident that they have moved the mountain. The pictures mix a recognizable Oriental style and remote serenity with Lobel's cream-puff colors. The anecdote doesn't make you laugh like an earthier, folk-type silly tale would, but there's a nice touch of drollery, in keeping with the straight-faced telling, in Lobel's depiction of the wise man, who becomes more languid with each visit, and more encased in a smokescreen of swirls from his own pipe.

Pub Date: April 12, 1982

ISBN: 0688109950

Page Count: 36

Publisher: Greenwillow Books

Review Posted Online: May 1, 2012

Kirkus Reviews Issue: April 1, 1982

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LITTLE BLUE TRUCK'S VALENTINE

Little Blue Truck keeps on truckin’—but not without some backfires.

Little Blue Truck feels, well, blue when he delivers valentine after valentine but receives nary a one.

His bed overflowing with cards, Blue sets out to deliver a yellow card with purple polka dots and a shiny purple heart to Hen, one with a shiny fuchsia heart to Pig, a big, shiny, red heart-shaped card to Horse, and so on. With each delivery there is an exchange of Beeps from Blue and the appropriate animal sounds from his friends, Blue’s Beeps always set in blue and the animal’s vocalization in a color that matches the card it receives. But as Blue heads home, his deliveries complete, his headlight eyes are sad and his front bumper droops ever so slightly. Blue is therefore surprised (but readers may not be) when he pulls into his garage to be greeted by all his friends with a shiny blue valentine just for him. In this, Blue’s seventh outing, it’s not just the sturdy protagonist that seems to be wilting. Schertle’s verse, usually reliable, stumbles more than once; stanzas such as “But Valentine’s Day / didn’t seem much fun / when he didn’t get cards / from anyone” will cause hitches during read-alouds. The illustrations, done by Joseph in the style of original series collaborator Jill McElmurry, are pleasant enough, but his compositions often feel stiff and forced.

Little Blue Truck keeps on truckin’—but not without some backfires. (Board book. 1-4)

Pub Date: Dec. 8, 2020

ISBN: 978-0-358-27244-1

Page Count: 20

Publisher: HMH Books

Review Posted Online: Jan. 18, 2021

Kirkus Reviews Issue: Feb. 15, 2021

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LOVE FROM THE VERY HUNGRY CATERPILLAR

Safe to creep on by.

Carle’s famous caterpillar expresses its love.

In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.

Safe to creep on by. (Picture book. 3-6)

Pub Date: Dec. 15, 2015

ISBN: 978-0-448-48932-2

Page Count: 32

Publisher: Grosset & Dunlap

Review Posted Online: Feb. 1, 2021

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