A colorful story about celebrating difference as complementary and transformative.
Beginning with endpapers full of colorful, distinctive faces in primary hues, Chung presents the heavy issue of discrimination using vivid colors and precise text.
“In the beginning, there were three colors:” loud reds, bright yellows, and laid-back blues. But initial urban harmony soon gives way to suspicion and competition about which is the best color, leading to high brick walls and color-specific isolation. The story could end there and already be a timely response to current events. However, one day a Yellow and a Blue “notice” each other and realize their happiness lies in each other’s distinct characteristics. Their relationship grows, and other colors take note, reacting negatively at first. Undeterred, the two “mix” (depicted as a wedding) and create a new color—Green—who embodies bits of each of her parents (“bright like Yellow and calm like Blue”) but is also “a color all her own.” Suddenly other Reds, Blues, and Yellows rediscover one another, too, and begin to mix, transforming the primarily black-and-white urban landscape, which is drawn in a graphic, eye-catching style. This book’s simple and straightforward approach to confronting discrimination is age-appropriate without trivializing difficult, hurtful situations, offering children and adults excellent moments for discussion and personal growth. Mixed-race readers, especially, may appreciate the author’s presentation of mixed-color characters as instruments of change and hope.
A colorful story about celebrating difference as complementary and transformative. (Picture book. 4-8)Pub Date: July 3, 2018
ISBN: 978-1-250-14273-3
Page Count: 40
Publisher: Henry Holt
Review Posted Online: April 24, 2018
Kirkus Reviews Issue: May 15, 2018
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
BOOK REVIEW
BOOK REVIEW
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