by Arree Chung ; illustrated by Arree Chung ‧ RELEASE DATE: Oct. 10, 2017
This funny Christmas story will be a gift to Maxwell’s fans and enjoyed by children interested in the ninja craze.
Maxwell the ninja tries to capture Santa in this third offering in Chung’s popular series, following Ninja! (2014) and Ninja! Attack of the Clan (2016).
Dressed in his ninja suit, Maxwell is determined to see Santa on Christmas Eve. He devises a trap with a handwritten note and multiple ropes to catch Santa in the act of delivering toys. Instead, the trap catches Maxwell’s dad when he sits down in a red recliner to sample the snacks set out for Santa. The family goes back to bed, no one spotting Santa already in the house and hiding behind the Christmas tree. Santa uses his Ninja Claus skills to carefully avoid additional traps, leaving a handwritten note for Maxwell and a gift of elf-made ninja shoes. Cleverly composed illustrations use a combination of graphic panels, traditional picture-book illustrations, and multiple handwritten notes between Maxwell and Santa, providing a delightfully varied means of conveying the story. Speech balloons, sound effects set in display type, and appearances by Maxwell’s hamster add more layers of interest to the overall design. Maxwell and his small sister are biracial; his mom is Asian and his dad is white; Santa is white.
This funny Christmas story will be a gift to Maxwell’s fans and enjoyed by children interested in the ninja craze. (Picture book. 4-8)Pub Date: Oct. 10, 2017
ISBN: 978-1-62779-552-4
Page Count: 40
Publisher: Henry Holt
Review Posted Online: Aug. 20, 2017
Kirkus Reviews Issue: Sept. 1, 2017
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by James Dean ; illustrated by James Dean ‧ RELEASE DATE: Sept. 18, 2018
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: Dec. 24, 2019
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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by Drew Daywalt ; illustrated by Oliver Jeffers
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