Three valuable expressions of Cherokee culture; sadly, the marquee story starts strong but ultimately fails to satisfy.
A novella, a short story, and an essay explore Cherokee present and past.
In Cherokee storyteller Coulson’s title novella, Maurice “Chooch” Tenkiller, a Minnesota middle schooler, is stuck accompanying his uncle Dynamite on a road trip to attend the Wild Onion Festival in Greasy, Oklahoma, to tell stories. The Tenkillers are a family of Cherokee storytellers, but Chooch has his heart set on becoming a chef. In the car, Dynamite tells a traditional story about a fox that wants to fly, suggesting that Chooch can pursue his own destiny. Indeed, upon arriving at the festival, surrounded by his extended family, Chooch learns that his gift of cooking is its own way of telling stories. Unfortunately, after 38 pages of careful character development, Chooch’s compelling story ends abruptly in two pages of epiphany and limp denouement, jarring readers out of their relationship with the protagonist. Bear Don’t Walk (Crow/Northern Cheyenne) crafts bold paintings that have the feel of snapshots, breathing life into the story. Coulson’s second tale, “The Energy of the Thunder Beings,” illustrated by Cherokee artist Boney, follows young Saloli, who ignores his mother’s advice and climbs the mountain called Standing Man in search of a new pair of sticks to play stickball, a quest that leads him to an encounter with the Little People. The book concludes with a brief showcase of contemporary Cherokee life and culture as explained by Cherokee author Sorell.
Three valuable expressions of Cherokee culture; sadly, the marquee story starts strong but ultimately fails to satisfy. (Anthology. 8-12)Pub Date: Oct. 22, 2020
ISBN: 978-1-4788-7025-8
Page Count: 80
Publisher: Reycraft Books
Review Posted Online: Sept. 28, 2020
Kirkus Reviews Issue: Oct. 15, 2020
BOOK REVIEW
BOOK REVIEW
Readers can still rely on this series to bring laughs.
The Heffley family’s house undergoes a disastrous attempt at home improvement.
When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.
Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)Pub Date: Nov. 5, 2019
ISBN: 978-1-4197-3903-3
Page Count: 224
Publisher: Amulet/Abrams
Review Posted Online: Nov. 18, 2019
SEEN & HEARD
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...
A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.
Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.Pub Date: Oct. 15, 1952
ISBN: 978-0-06-026385-0
Page Count: 192
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 14, 2011
Kirkus Reviews Issue: Oct. 1, 1952
PERSPECTIVES
SEEN & HEARD
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