The date is the 50th anniversary of the moonwalk, 17 years ago (ergo, 33 years hence). The theme is what life will be like. The coverage is pure Clarke: heavy on the high tech; light on the arts. The tone, more Brave New World and Clockwork Orange than paradise gained. Take the chapter "An Afternoon on the Couch." Patient has been vaccinated against schizophrenia, taken her pills for mood control, is cued into a Rogerian analyst. Patients in 2019 are not your crazies and depressives, but suffer "inadequate worldviews," "subclinical anomie." Neurochemical and electrical workups tell it all, cure it all. Or the one on the bedroom—more mechanized orgasms, brain implants, push-button pleasure. . .with the promise that the best sex awaits zero-gravity undulations in space. As for school, work, home life, Clarke invokes what you might expect in the way of supercomputers and laserdiscs that will respond to your voice command and place the world's learning at your fingertips. Meanwhile, lovable robots will do the drudge work, provide companionship, and allow you leisure to pursue entertainments like movies that outdo each other in special effects or sports that will be based on a new breed of brainy/steroid-built superjocks. Had enough? Wait. Clarke also supplies his versions of hospital days and death-defying regimens. The scenarios here smack of Coma with illicit dealing in organ transplants, aborted babies as source of brain cells and so on. Clarke also hypothesizes war in 2019—an affair that starts as a rebellion in East Germany and escalates. An epilogue laments the decline in the United Nations, but sees hope in further developments of one of Clarke's own favorite: projects: satellite communications. It will make earth a global family yet, he predicts. This note of optimism and a long, Clarke-at-his-best description of life in a 2019 space station (based on present experience) lift the book out of the veil of joyless hardware.
Pub Date: Nov. 1, 1986
ISBN: 0025258001
Page Count: 326
Publisher: Macmillan
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1986
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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