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THE WITCH’S CHILD

A bit of TLC accomplishes what a mighty witch’s powers cannot in this pointed melodrama. When malign Rosina fails to bring Rosalie, the manikin she constructs from leaves and hair, to life, she spitefully puts a spell on her fields that transforms all the local children who play in them into twisted brambles. That spell is only broken after young Lina finds the discarded Rosalie and lovingly repairs her; suddenly animate, Rosalie pulls Lina away from Rosina’s vicious attack, and the witch falls into a fire. Lina’s parents welcome Rosalie into the family, and all the brambles revert to children whose own parents “were thankful for them and properly cared for them, as,” Yorinks concludes, “they should.” In his realistic, sharply drawn illustrations, Smith sends a memorably scary-looking, black-clad witch drifting over desolate countryside to work mischief, but renders the children as a multicultural bunch in modern dress—a contrast that should give young readers an extra shiver or two. Pair this with Audrey Wood’s Heckedy Peg (1987), illustrated by Don Wood, for an effective fright-fest. (Picture book. 6-8)

Pub Date: Oct. 1, 2007

ISBN: 978-0-8109-9349-5

Page Count: 40

Publisher: Abrams

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2007

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BERRY MAGIC

Sloat collaborates with Huffman, a Yu’pik storyteller, to infuse a traditional “origins” tale with the joy of creating. Hearing the old women of her village grumble that they have only tasteless crowberries for the fall feast’s akutaq—described as “Eskimo ice cream,” though the recipe at the end includes mixing in shredded fish and lard—young Anana carefully fashions three dolls, then sings and dances them to life. Away they bound, to cover the hills with cranberries, blueberries, and salmonberries. Sloat dresses her smiling figures in mixes of furs and brightly patterned garb, and sends them tumbling exuberantly through grassy tundra scenes as wildlife large and small gathers to look on. Despite obtrusively inserted pronunciations for Yu’pik words in the text, young readers will be captivated by the action, and by Anana’s infectious delight. (Picture book/folktale. 6-8)

Pub Date: June 1, 2004

ISBN: 0-88240-575-6

Page Count: 32

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2004

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RAPUNZEL

Rapunzel, Rapunzel, let down your dreads! Isadora once again plies her hand using colorful, textured collages to depict her fourth fairy tale relocated to Africa. The narrative follows the basic story line: Taken by an evil sorceress at birth, Rapunzel is imprisoned in a tower; Rapunzel and the prince “get married” in the tower and she gets pregnant. The sorceress cuts off Rapunzel’s hair and tricks the prince, who throws himself from the tower and is blinded by thorns. The terse ending states: “The prince led Rapunzel and their twins to his kingdom, where they were received with great joy and lived happily every after.” Facial features, clothing, dreadlocks, vultures and the prince riding a zebra convey a generic African setting, but at times, the mixture of patterns and textures obfuscates the scenes. The textile and grain characteristic of the hewn art lacks the elegant romance of Zelinksy’s Caldecott version. Not a first purchase, but useful in comparing renditions to incorporate a multicultural aspect. (Picture book/fairy tale. 6-8)

Pub Date: Oct. 1, 2008

ISBN: 978-0-399-24772-9

Page Count: 32

Publisher: Putnam

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Sept. 1, 2008

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