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CAPTAIN ALATRISTE

A pleasure of swash, buckle and atmosphere, along with tidy infomercials on topics such as the poetry, theater and the...

The first of a projected five historicals from Pérez-Reverte (The Queen of the South, 2004, etc.) about the dashing fighter and gallant Alatriste.

When he’s 13, in 1620 or so, Iñigo Balboa goes to live for good with Captain Alatriste, Iñigo’s own father being dead (he’d been a comrade in arms with Alatriste) and it being Alatriste’s honor to care for the boy. Having achieved high fame as a soldier, Alatriste now earns his living as a hired killer in the dangerous streets and Byzantine politics of imperial Madrid. This doesn’t mean he’s not good, but certainly that he’s dangerous—and that his skills of stealth, cunning and swordplay bring danger to him. Take the case, for example, that comes his way right about the time young Iñigo arrives on the scene—a very remunerative matter of quietly snuffing two lone English travelers as, very late at night, they approach their destination. The deed is all but done when something about the victims—something noble—stays Alatriste’s blade as he spares the travelers and also awakens the eternal vengeance of his co-hit man, an especially blood-curdling Italian, not to mention the wrath of—yes, of the Inquisition itself, the institution, we learn, behind the attempted killing. And who were the near-victims? Well, of high rank indeed, enough so that their deaths might have altered the fate of nations—and enough so that Alatriste is now in grave danger of losing his own life as one who has foiled the high powers of oppression. How lucky that little Iñigo is in the picture, after all, not just so he can tell the story, but so that, as on one especially dark and dangerous night, he can do no less than save Alatriste’s life, ensuring that there may be new deeds aplenty in future.

A pleasure of swash, buckle and atmosphere, along with tidy infomercials on topics such as the poetry, theater and the traditions of the day.

Pub Date: May 1, 2005

ISBN: 0-399-15275-X

Page Count: 272

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2005

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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