by Arturo Pérez-Reverte & translated by Margaret Jull Costa ‧ RELEASE DATE: Sept. 2, 2010
First-rate entertainment, from one of the masters.
Heaving bosoms and hyperbolic derring-do abound in this sixth volume of the acclaimed Spanish author’s series of period swashbucklers (The Cavalier in the Yellow Doublet, 2009, etc.).
It’s announced as “the final installment” in the saga of freelance soldier of fortune Captain Alatriste and his page turned foster son and companion Íñigo Balboa (imagine Sancho Panza in flaming youth, eager to emulate his master Don Quixote’s glamorous and amorous exploits). Final installment? Well, we all know what happened the first time Conan Doyle tried to off Sherlock Holmes, don’t we? Be that as it may, Pérez-Reverte treats us to another rousing adventure firmly in the tradition of modern romancer Rafael Sabatini channeling the immortal Alexandre Dumas. Once again, Íñigo narrates, in old age, remembering. The story records their deeds as mercenary soldiers aboard a Spanish galleon on a perilous mission that will culminate in a savage battle at sea, traveling from Naples through the eastern Mediterranean to Morocco and Algeria, thence Venice, and eventually Malta. Alatriste attempts to rescue an old friend; Íñigo, itching to attain full maturity (he has survived to the age of 17), writhes in the coils of his infatuation with beautiful Angélica, the niece of Alatriste’s old enemy—and either a paragon of burgeoning womanhood or a homicidal vixen leading the impulsive Íñigo to his doom. The action feels a bit generic, but the nicely timed introductions of savory and unsavory supporting characters keeps the reader hooked. (Pérez-Reverte even invents his own Gunga Din—resourceful Moorish manservant Gurriat.) The mix is further enriched by an autumnal sense of the waste and folly—and inevitability—of men’s compulsion to go to war.
First-rate entertainment, from one of the masters.Pub Date: Sept. 2, 2010
ISBN: 978-0-399-15664-9
Page Count: 384
Publisher: Putnam
Review Posted Online: Aug. 24, 2010
Kirkus Reviews Issue: Sept. 15, 2010
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by Arturo Pérez-Reverte ; translated by Frank Wynne
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by Arturo Pérez-Reverte and translated by Margaret Jull Costa
by Roy Jacobsen ; translated by Don Bartlett & Don Shaw ‧ RELEASE DATE: April 7, 2020
A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.
Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.
A deeply satisfying novel, both sensuously vivid and remarkably poignant.Pub Date: April 7, 2020
ISBN: 978-1-77196-319-0
Page Count: 272
Publisher: Biblioasis
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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by Roy Jacobsen ; translated by Don Bartlett & Don Shaw
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by Roy Jacobsen translated by Don Bartlett & Don Shaw
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by Roy Jacobsen & translated by Don Bartlett & Don Shaw
by Anthony Doerr ‧ RELEASE DATE: May 6, 2014
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.
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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.
In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.Pub Date: May 6, 2014
ISBN: 978-1-4767-4658-6
Page Count: 448
Publisher: Scribner
Review Posted Online: March 5, 2014
Kirkus Reviews Issue: March 15, 2014
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