Pérez-Reverte at his best is a matchless entertainer. But this, his weakest novel, is a major disappointment.
The perilous arc of a powerful woman druglord’s career, painstakingly traced by the Spanish author of such brainteasing thrillers as The Club Dumas (1998) and The Seville Communion (1999).
Pérez-Reverte’s sixth is a dual narrative in which we observe Mexicana Teresa Mendoza’s rise to power after the death of her drug-running pilot boyfriend Güero Davila, and also receive summaries of her progress from an unnamed journalist who’s interviewing both her former criminal contacts and law enforcement officers who spent 12 years pursuing her. It all moves much too slowly, because Pérez-Reverte’s obviously thorough researches betray him into an almost encyclopedic disclosure of exactly how the international drug trade operates—and because Teresa’s successive accomplices and lovers are thinly sketched, scarcely characterized at all. This is unfortunate, since there’s considerable dramatic potential in such vividly conceived figures as courtly “narco” godfather Epifanio Vargas, freelance drug-runner Santiago Fisterra (who supplants the late Güero in Teresa’s bed), Teresa’s bisexual prison cellmate and later partner Patricia O’Farrell, and criminous attorney (and Teresa’s next lover) Teo Aljarafe. “La Mexicana” (a.k.a. The Queen of the South) herself is fairly opaque, her strength and resolve asserted rather than dramatized. And Pérez-Reverte skirts absurdity by charting her development into a passionate reader, beginning with her jail-time immersion in The Count of Monte Cristo (“Edmond Dantes is me”). The action, fairly generic, moves from Mexico to Spain’s southern coast, the Strait of Gibraltar, and Morocco, peaking in a dangerous episode in the Black Sea. Still, Pérez-Reverte comes through with a smashing climax in which Teresa learns the truth about Güero, faces down the elusive Don Epifanio, and puts her own spin on her deal with USDEA officials (“Cooperation in exchange for immunity”). Too little, too late.
Pérez-Reverte at his best is a matchless entertainer. But this, his weakest novel, is a major disappointment.Pub Date: June 7, 2004
ISBN: 0-399-15185-0
Page Count: 448
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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