Marginally informative and painfully superficial.
Arizona is more than a desert, and its desert is more than sand.
From the Grand Canyon to a rich array of wild plants and animals, this Southwestern state is brimming with nature’s treasures. Basic identifying information, such as the state flower and motto, is introduced in tandem with popular tourist attractions, such as the food and the Four Corners Monument. This entry in the Welcome to… series celebrating the states offers detailed, whimsical illustrations to accompany the scattering of pertinent factoids across the pages. (Companion titles on California, Florida, and Texas publish simultaneously.) Regrettably, the humans depicted are all greeting-card cute and identical in their stylized, round faces; racial difference is indicated only via skin color and hair color and texture. Also concerning is the design decision that places a Diné (Navajo) family producing traditional crafts (with nary a modern convenience in sight) directly after the dinosaurs and before Grand Canyon wildlife. The saguaro is featured, but there is no mention of the Tohono O’odham who have been harvesting the fruit for millennia—with the exception of a brief inclusion in a laundry list of Native peoples. Traditional Mexican/Mexican American and Native foods are displayed on a double-page spread with absolutely no allusions to the peoples or cultures. The underlying dismissal of Arizona’s rich pre-Anglo history is implicit in both design and execution. (This book was reviewed digitally with 8-by-16-inch double-page spreads viewed at actual size.)
Marginally informative and painfully superficial. (Informational picture book. 4-7)Pub Date: Jan. 5, 2021
ISBN: 978-0-593-17821-8
Page Count: 32
Publisher: Doubleday
Review Posted Online: Nov. 17, 2020
Kirkus Reviews Issue: Dec. 1, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A solid addition to Rotner’s seasonal series. Bring on summer.
Rotner follows up her celebrations of spring and autumn with this look at all things winter.
Beginning with the signs that winter is coming—bare trees, shorter days, colder temperatures—Rotner eases readers into the season. People light fires and sing songs on the solstice, trees and plants stop growing, and shadows grow long. Ice starts to form on bodies of water and windows. When the snow flies, the fun begins—bundle up and then build forts, make snowballs and snowmen (with eyebrows!), sled, ski (nordic is pictured), skate, snowshoe, snowboard, drink hot chocolate. Animals adapt to the cold as well. “Birds grow more feathers” (there’s nothing about fluffing and air insulation) and mammals, more hair. They have to search for food, and Rotner discusses how many make or find shelter, slow down, hibernate, or go underground or underwater to stay warm. One page talks about celebrating holidays with lights and decorations. The photos show a lit menorah, an outdoor deciduous tree covered in huge Christmas bulbs, a girl next to a Chinese dragon head, a boy with lit luminarias, and some fireworks. The final spread shows signs of the season’s shift to spring. Rotner’s photos, as always, are a big draw. The children are a marvelous mix of cultures and races, and all show their clear delight with winter.
A solid addition to Rotner’s seasonal series. Bring on summer. (Informational picture book. 4-7)Pub Date: Oct. 16, 2018
ISBN: 978-0-8234-3976-8
Page Count: 32
Publisher: Holiday House
Review Posted Online: Aug. 13, 2018
Kirkus Reviews Issue: Sept. 1, 2018
Pass.
The traditions and history of one of Mexico’s most important holidays are introduced in this latest of Eliot’s Celebrate the World series.
From setting up the flower-festooned altars to decorating the calaveras, the preparations depicted involve entire communities over several weeks. Characters in cowboy hats, sombreros, and baseball caps place the final touches on skeletons in full lucha libre regalia or spangled mariachi outfits. However, instead of accurately using Mexico’s name for the holiday, Día de Muertos, Eliot uses the English back-translation, “Día de los Muertos,” as is common in the U.S. even though the story evidently takes place in Mexico. Also, aside from stating that the celebration “is an ancient tradition,” there is no mention of its Indigenous, pre-European/Christian roots nor does the book actively distinguish between Día de Muertos and Halloween. The first-person narration vacillates between child and adult perspectives. “We do all this to celebrate the beauty of life and death rather than mourn it.” Gutierrez’s mixed-media illustrations are convulsive, crowded panes of frenetic activity. Exaggerated facial features border on stereotypical caricatures—snouts and bug eyes abound. Contributing to the crowded page design is the unfortunate choice of board rather than picture-book format. Consequently, the initial perception is that this series is geared toward toddlers, when it is the school-age child who would most benefit from the information in this book.
Pass. (Board book. 4-7)Pub Date: July 24, 2018
ISBN: 978-1-5344-1515-7
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 15, 2018
Kirkus Reviews Issue: Jan. 1, 2019
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