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BUTTER

A NOVEL OF FOOD AND MURDER

Eating gets sexy in this offbeat confidence tale.

Rika Machida, an ambitious young reporter for a Japanese weekly, becomes obsessed with the suspected killer known as “Kajimana,” who extorted money from a string of lonely middle-aged men lured by her cooking.

Three of the men died in suspicious accidents, one of a drug overdose, another under a train, and another in a bathtub. Determined to score an interview with the assumed murderer, who is in a detention center awaiting a second trial, Rika overcomes the woman’s refusals by expressing great interest in food. To further gain her trust, Rika carries out the extreme assignments concocted by Kajimana, including having sex (with her droopy older boyfriend, as it turns out) before rushing out to consume butter ramen noodles at a particular restaurant. The ecstasy Rika experiences from the butter rush leads her to reject the usual dietary restrictions—and gain weight. That worries her, but the proudly corpulent Kajimana, an anti-feminist who flaunts her flesh in rejecting male conceptions of beauty and sexuality, mocks her concerns. The better Rika knows her (or thinks she does), the more she questions her new mentor’s part in the men’s deaths. Ultimately, the questions she doesn’t ask come back to bite her. Loosely based on a true story, Yuzuki’s debut novel, a bestseller in Japan, is a slow cooker at 464 pages—one with an appetite for indicting male-dominated society. But the book’s persistence, like that of its protagonist, proves to be one of its winning qualities. While not as seductive as the mouthwatering dishes Yuzuki describes, the liveliness of the writing, full of wry twists, breaks down any resistance.

Eating gets sexy in this offbeat confidence tale.

Pub Date: April 16, 2024

ISBN: 9780063236400

Page Count: 464

Publisher: Ecco/HarperCollins

Review Posted Online: March 9, 2024

Kirkus Reviews Issue: April 1, 2024

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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  • New York Times Bestseller

Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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I WHO HAVE NEVER KNOWN MEN

I Who Have Never Known Men ($22.00; May 1997; 224 pp.; 1-888363-43-6): In this futuristic fantasy (which is immediately reminiscent of Margaret Atwood's The Handmaid's Tale), the nameless narrator passes from her adolescent captivity among women who are kept in underground cages following some unspecified global catastrophe, to a life as, apparently, the last woman on earth. The material is stretched thin, but Harpman's eye for detail and command of tone (effectively translated from the French original) give powerful credibility to her portrayal of a human tabula rasa gradually acquiring a fragmentary comprehension of the phenomena of life and loving, and a moving plangency to her muted cri de coeur (``I am the sterile offspring of a race about which I know nothing, not even whether it has become extinct'').

Pub Date: May 1, 1997

ISBN: 1-888363-43-6

Page Count: 224

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1997

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