by Ashley Franklin ; illustrated by Tatiana Gardel ‧ RELEASE DATE: Oct. 8, 2024
An encouraging story for those who struggle to be heard.
A timid boy learns to summon his own internal strength.
School is filled with the raucous sounds of kids laughing, shouting, and playing. Quiet, bespectacled Xavier is swallowed up by all that noise. Whenever he tries to speak, his voice gets stuck in his throat. Even when other children make a friendly effort, “his small voice [can’t] find its way out.” Inspired by a new comic hero named Super Saleem, Xavier starts drawing his own superhero world. He fills a sketchbook with characters who have the qualities he wishes he could possess. When a sudden rainstorm drenches his drawings, another student helps Xavier dry them off. Could this be the beginning of a beautiful friendship? Afterward, overwhelmed with anxiety and what ifs, Xavier starts to worry. But he feels bolstered by a superhero strength deep inside. Though Xavier’s outward attempts at trying to be loud fail miserably, he eventually finds a way to shine—by relying on his huge imagination. Peppered with calming techniques, this narrative will speak to many young people grappling with anxiety as Franklin creates a safe environment for introspection and growth. Gentle cartoon art brings the action to life; Xavier’s fantasies of flying alongside superhero characters add child appeal. Xavier and his family present Black and are cued Muslim; his school is diverse.
An encouraging story for those who struggle to be heard. (Picture book. 4-7)Pub Date: Oct. 8, 2024
ISBN: 9781959244035
Page Count: 48
Publisher: The Innovation Press
Review Posted Online: Aug. 30, 2024
Kirkus Reviews Issue: Oct. 1, 2024
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Sarah Jennings
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by Tish Rabe ; illustrated by Dan Yaccarino
by Jonathan Stutzman ; illustrated by Jay Fleck ‧ RELEASE DATE: March 5, 2019
Wins for compassion and for the refusal to let physical limitations hold one back.
With such short arms, how can Tiny T. Rex give a sad friend a hug?
Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.
Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)Pub Date: March 5, 2019
ISBN: 978-1-4521-7033-6
Page Count: 48
Publisher: Chronicle Books
Review Posted Online: Nov. 11, 2018
Kirkus Reviews Issue: Dec. 1, 2018
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by Jonathan Stutzman ; illustrated by Heather Fox
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by Jonathan Stutzman ; illustrated by Elizabeth Lilly
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