A beautiful, quiet, indoor-outdoor family story that will dazzle the eye and warm the heart.
An animal’s-eye view of a typical night on a farm.
As Tessa, a little curly-haired, olive-skinned girl, her father, mother, and baby brother, Sam, progress through an evening, a night, and a morning, their yellow-eyed, marmalade tabby cat sees much that the humans miss. Following each refrain of “only the cat saw...” is a wordless, double-page spread of the cat prowling about: gazing at the sheep from the window; catching fireflies; watching an owl hunt a mouse; and more. After the tabby’s active night, the narrative shifts to Tessa’s perspective for a satisfying ending. Wolff’s spectacularly textured, highly saturated paintings show that cats who wander have lives all their own, independent of their owners. With these new illustrations accompanying a text first published in 1985, Wolff also offers intimate views of this multiracial family that are rarely found in picture books: Readers see Tessa’s head and legs as she sits on the toilet at 2 a.m.; Mother nurses Sam in bed while Father sleeps. Since the book opens with Father hanging laundry on the clothesline while holding baby Sam in a baby carrier and ends with Father feeding Sam while Mother cooks breakfast, it seems that both parents take an equal share in raising the children and caring for the house.
A beautiful, quiet, indoor-outdoor family story that will dazzle the eye and warm the heart. (Picture book. 3-5)Pub Date: June 16, 2020
ISBN: 978-1-4814-6692-9
Page Count: 32
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: Feb. 25, 2020
Kirkus Reviews Issue: March 15, 2020
PERSPECTIVES
Perfect for every underdog who wants to have a say.
A dog-loving child encourages a less-than-enthusiastic younger one to imagine they’re both canines.
From the first declaration—“I’d be a big dog! And you’d be a little one!”—readers know who’s calling the shots. Initially, the protagonists cavort off the page and through the neighborhood together, performing doggy capers such as tail wagging, stick carrying, and dirt digging. But by the time they encounter a multitude of like-minded creatures at the dog park, the disgruntled small pup is exhibiting out-and-out rebellion: “Being a dog is YOUR idea! Sometimes I HAVE IDEAS TOO!” The narrative wraps up with the younger child pretending to be a different animal entirely—cleverly foreshadowed through subtle details in the illustrations. Even the endpapers—lively silhouettes of dogs in the beginning and many different animals in closing—extend the theme to suggest the imaginative possibilities of pretend play. Cheerful, lightly hued colors fit the whimsical mood, while expressive body language allows the art to tell the story with a minimum of words. Ending on a surprising note, with a sweet compromise between the two main characters, the tale gives both kids the freedom to embrace their own preferences and styles—while still enjoying their game.
Perfect for every underdog who wants to have a say. (Picture book. 3-5)Pub Date: Sept. 16, 2025
ISBN: 9780316581721
Page Count: 40
Publisher: Little, Brown
Review Posted Online: May 16, 2025
Kirkus Reviews Issue: June 15, 2025
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
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