Fans of Mr. and Mrs. Smith, this one’s for you.
It’s hard to keep the spark going in your marriage when you move to the London suburbs and have to let go of your glamorous, globe-trotting lives. (No more partying, traveling, or murdering!)
Hazel and Fox have been married for more than 10 years, and they both adore their little daughter, Bibi. Hazel, an artist, has hung up her paintbrush to become a stay-at-home mom, and Fox is out breadwinning at an investment company every day. So what if they might have sex a little less often than they used to—it all sounds pretty normal, right? Well, MacKay’s novel might cover the kind of bumpy transition that’s familiar to many couples—but there’s a catch: Hazel and Fox are former serial killers, now trying to reform for the sake of their child. But giving up killing has dulled a spark that has them each feeling trapped and resentful. As MacKay switches back and forth between their two perspectives, it becomes clear that Hazel—forged in a difficult childhood and still mourning her best friend from art school, who died by suicide—has always found killing a release from her anger. Now it’s all bottled up, and she can only direct it by snarking at the local moms in her baby-and-me music group and resenting her husband. When she meets Jenny, another mother, they begin an unlikely friendship that offers Hazel a distraction; Jenny’s former partner is a total sleazeball who owes her a lot of money, and Hazel is determined to see that he pays up. Fox, meanwhile, deals with his struggles by attending AA meetings, figuring that an addiction to murder is not so unlike an addiction to alcohol. This is a dark comedy indeed—any ethical concerns over murder are brushed under the rug because it’s something Hazel and Fox do together, and they only kill “bad men.” As a metaphor for modern family life, it’s entertainingly astute.
Fans of Mr. and Mrs. Smith, this one’s for you.Pub Date: Jan. 14, 2025
ISBN: 9780593875582
Page Count: 352
Publisher: Bantam
Review Posted Online: Dec. 28, 2024
Kirkus Reviews Issue: Feb. 1, 2025
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A pulpy throwback that shines a light on abuses even magic can’t erase.
Hung out to dry by the elders who betrayed them, a squad of pregnant teens fights back with old magic.
Hendrix has a flair for applying inventive hooks to horror, and this book has a good one, chock-full with shades of V.C. Andrews, The Handmaid’s Tale, and Foxfire, to name a few. Our narrator, Neva Craven, is 15 and pregnant, a fate worse than death in the American South circa 1970. She’s taken by force to Wellwood House in Florida, a secretive home for unwed mothers where she’s given the name Fern. She’ll have the baby secretly and give it up for adoption, whether she likes it or not. Under the thumb of the house’s cruel mistress, Miss Wellwood, and complicit Dr. Vincent, Neva forges cautious alliance with her fellow captives—a new friend, Zinnia; budding revolutionary Rose; and young Holly, raped and impregnated by the very family minister slated to adopt her child. All seems lost until the arrival of a mysterious bookmobile and its librarian, Miss Parcae, who gives the girls an actual book of spells titled How To Be a Groovy Witch. There’s glee in seeing the powerless granted some well-deserved payback, but Hendrix never forgets his sweet spot, lacing the story with body horror and unspeakable cruelties that threaten to overwhelm every little victory. In truth, it’s not the paranormal elements that make this blast from the past so terrifying—although one character evolves into a suitably scary antagonist near the end—but the unspeakable, everyday atrocities leveled at children like these. As the girls lose their babies one by one, they soon devote themselves to secreting away Holly and her child. They get some help late in the game but for the most part they’re on their own, trapped between forces of darkness and society’s merciless judgement.
A pulpy throwback that shines a light on abuses even magic can’t erase.Pub Date: Jan. 14, 2025
ISBN: 9780593548981
Page Count: 496
Publisher: Berkley
Review Posted Online: Oct. 26, 2024
Kirkus Reviews Issue: Dec. 1, 2024
BOOK REVIEW
BOOK REVIEW
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