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BABY GOES TO MARKET

Indeed, no one will be able to resist this baby.

Baby is so charming that various vendors in this West African market gift him all sorts of yummies.

Baby rides on Mama’s back, held snug by a bright cloth wrap. Mama navigates the busy, colorful outdoor market, her woven basket balanced on her head. The text unrolls rhythmically in Atinuke’s storyteller’s voice: “Market is very crowded. Baby is very curious. Baby is so curious that Mrs. Ade, the banana seller, gives Baby six bananas.” Baby eats one and puts the remaining bananas in Mama’s basket. All the while Mama shops, unbeknownst to her, vendors continue to respond to Baby’s transparent delight with five oranges, four “sugary chin-chin biscuits,” three “roasted sweet corn,” and two pieces of coconut. With each delicacy given, Baby eats one and puts the rest in the basket. When Mama sees all the extra foodstuffs she didn’t buy, she’s concerned, until the vendors reassure her: “We gave those things to Baby!” In her debut picture book, Brooksbank offers bright, bustling tableaux of shoppers, vendors, and goods. The smiling, all-black cast sort through myriad wares, while the text keeps up its rhythm, introducing both typical items bought in a West African market and a gentle lesson in arithmetic as Baby alternately snacks on and stashes his gifts.

Indeed, no one will be able to resist this baby. (Picture book. 3-6)

Pub Date: Sept. 5, 2017

ISBN: 978-0-7636-9570-5

Page Count: 32

Publisher: Candlewick

Review Posted Online: Aug. 20, 2017

Kirkus Reviews Issue: Sept. 1, 2017

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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DIGGERSAURS

Count on construction die-hards falling in love, but discerning readers would be wise to look elsewhere for their...

Less ambitious than Chris Gall’s widely known Dinotrux (2009) and sequels, this British import systematically relegates each dinosaur/construction-equipment hybrid to its most logical job.

The title figures are introduced as bigger than both diggers and dinosaurs, and rhyming text and two construction-helmeted kids show just what these creatures are capable of. Each diggersaur has a specific job to do and a distinct sound effect. The dozersaurus moves rocks with a “SCRAAAAPE!!!” while the rollersaurus flattens lumps with a cheery “TOOT TOOT!!” Each diggersaur is numbered, with 12 in all, allowing this to be a counting book on the sly. As the diggersaurs (not all of which dig) perform jobs that regular construction equipment can do, albeit on a larger scale, there is no particular reason why any of them should have dinosaurlike looks other than just ’cause. Peppy computer art tries valiantly to attract attention away from the singularly unoriginal text. “Diggersaurs dig with bites so BIG, / each SCOOP creates a crater. // They’re TOUGH and STRONG / with necks so long— / they’re super EXCAVATORS!” Far more interesting are the two human characters, a white girl and a black boy, that flit about the pictures offering commentary and action. Much of the fun of the book can be found in trying to spot them on every two-page spread.

Count on construction die-hards falling in love, but discerning readers would be wise to look elsewhere for their dino/construction kicks. (Picture book. 3-6)

Pub Date: April 2, 2019

ISBN: 978-1-9848-4779-9

Page Count: 32

Publisher: Random House

Review Posted Online: Jan. 14, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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