GUIDE ME HOME

Locke resolves the loose ends of her award-winning trilogy of novels set along East Texas’ Highway 59—beginning with Bluebird, Bluebird (2017) and Heaven, My Home (2019)—in ways at once gratifying and unsettling.

The year 2019 finds Donald Trump still in the White House and Texas Ranger Darren Mathews struggling toward as much peace of mind as a proud yet vulnerable Black man can find. What’s kept him especially vulnerable is the looming threat of indictment by an ambitious district attorney for obstructing justice in the murder of a white nationalist, the principal problem being that Darren knows he’d be found guilty. “He wasn’t entirely sure he didn’t deserve to be indicted. Wasn’t sure either that he didn’t deserve a medal.” Either way, Darren decides he can no longer function as a Ranger under this cloud, so he turns in the badge he’d once proudly worn. When he comes home after resigning, he finds his estranged mother, Bell, waiting for him. Darren has many reasons for not wanting to talk to her, beginning with an assortment of resentments from his childhood and culminating with the fact that she gave the weapon used in the aforementioned murder to the DA. “I was trying to protect you,” she insists, which Darren doesn’t believe. Nor does he believe that she’s sober after years of alcoholism. But she’s not here to stir up old grievances. Bell’s asking him to find a Black student at Stephen F. Austin College who disappeared from a sorority house where Bell’s been working as a maid. At first, Darren’s too wound up over his mother coming into his life again to even consider her request, so wound up that he tumbles into his own nightmarish round of hard drinking, but he eventually decides to take the case. And there’s much more to it than anybody connected with the school or the girl’s all-white sorority bothers to acknowledge. The trail leads to a town called Thornhill, which is dominated by a family-run corporation with deep political connections and vaguely sinister control over its employees. This case may lack something of the edgy, violent nature of the crimes in the two earlier books. But Locke’s main order of business here is with Darren’s reckoning and reconciliation with a past as full of deceit and false leads as even the most elaborate whodunit.

We’ve missed Attica Locke’s deft and wise way with the crime novel. We want more.