Interesting enough but not particularly impactful.
Discover the lost genius of Maria Anna Mozart.
Ades and Lirius’ picture-book biography tells the story of the older sister of great classical music composer and pianist Wolfgang Amadeus Mozart. Maria, nicknamed Nannerl, narrates the story, recounting how her musical family life inspired her early longing to make music. During her childhood, her father taught her to play the harpsichord. She explains that “Wolfgang always wanted to do everything I did, so Papa taught him, too.” Both children showed prodigious aptitude and spent years performing across Europe. However, the custom of the time precluded women from public performance, never mind musical composition, so as Nannerl grew older, her father arranged for her to marry, bringing her short-lived music career to an end. Nevertheless, Nannerl’s passion for music never died. The book spends little time developing the relationships between its central characters, especially the complex one between Nannerl and her father, in reality not half so tyrannical a figure as the story makes him out to be. The narrative is rather limited in scope, omitting certain key aspects of Nannerl’s biography. The prose is lyrical in its simplicity but otherwise unremarkable; the gouache and digital illustrations, however, are sublime, painted in delicate shades with whimsical touches and flowing floral scroll motifs. The backmatter explains that some liberties were taken in creating this work of “creative nonfiction” and provides biographical and reference information, including a timeline and glossary. All characters are White.
Interesting enough but not particularly impactful. (Picture-book biography. 4-8)Pub Date: Feb. 22, 2022
ISBN: 978-0-374-31476-7
Page Count: 40
Publisher: Farrar, Straus and Giroux
Review Posted Online: Jan. 13, 2022
Kirkus Reviews Issue: Feb. 1, 2022
BOOK REVIEW
BOOK REVIEW
A supplemental rather than introductory book on the great artist.
Frida Kahlo’s strong affection for and identification with animals form the lens through which readers view her life and work in this picture-book biography.
Each two-page spread introduces one or more of her pets, comparing her characteristics to theirs and adding biographical details. Confusingly for young readers, the beginning pages reference pets she owned as an adult, yet the illustrations and events referred to come from earlier in her life. Bonito the parrot perches in a tree overlooking young Frida and her family in her childhood home and pops up again later, just before the first mention of Diego Rivera. Granizo, the fawn, another pet from her adult years, is pictured beside a young Frida and her father along with a description of “her life as a little girl.” The author’s note adds important details about Kahlo’s life and her significance as an artist, as well as recommending specific paintings that feature her beloved animals. Expressive acrylic paintings expertly evoke Kahlo’s style and color palette. While young animal lovers will identify with her attachment to her pets and may enjoy learning about the Aztec origins of her Xolo dogs and the meaning of turkeys in ancient Mexico, the book may be of most interest to those who already have an interest in Kahlo’s life.
A supplemental rather than introductory book on the great artist. (Picture book/biography. 4-8)Pub Date: Sept. 5, 2017
ISBN: 978-0-7358-4269-4
Page Count: 40
Publisher: NorthSouth
Review Posted Online: June 18, 2017
Kirkus Reviews Issue: July 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A unique angle on a watershed moment in the civil rights era.
The New Orleans school child who famously broke the color line in 1960 while surrounded by federal marshals describes the early days of her experience from a 6-year-old’s perspective.
Bridges told her tale to younger children in 2009’s Ruby Bridges Goes to School, but here the sensibility is more personal, and the sometimes-shocking historical photos have been replaced by uplifting painted scenes. “I didn’t find out what being ‘the first’ really meant until the day I arrived at this new school,” she writes. Unfrightened by the crowd of “screaming white people” that greets her at the school’s door (she thinks it’s like Mardi Gras) but surprised to find herself the only child in her classroom, and even the entire building, she gradually realizes the significance of her act as (in Smith’s illustration) she compares a small personal photo to the all-White class photos posted on a bulletin board and sees the difference. As she reflects on her new understanding, symbolic scenes first depict other dark-skinned children marching into classes in her wake to friendly greetings from lighter-skinned classmates (“School is just school,” she sensibly concludes, “and kids are just kids”) and finally an image of the bright-eyed icon posed next to a soaring bridge of reconciliation. (This book was reviewed digitally.)
A unique angle on a watershed moment in the civil rights era. (author and illustrator notes, glossary) (Autobiographical picture book. 6-8)Pub Date: Sept. 6, 2022
ISBN: 978-1-338-75388-2
Page Count: 48
Publisher: Orchard/Scholastic
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
PERSPECTIVES
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