A forgotten star shines anew.
A remarkable young woman plays baseball with tremendous skill in the early days of the 20th century.
From the time she was a very young girl, Edith Houghton was an incredibly talented and dedicated player on the local Philadelphia sandlots, where she was valued by her male counterparts. When the Philadelphia Bobbies, an all-female (and all-white) professional team of young women, held tryouts, she made the team even though she was only 10 years old. Wearing a uniform that was so large that it had to be pinned and rolled up, she nevertheless proved herself on the field and at bat. Playing mostly against men’s teams, the Bobbies first barnstormed locally and then through the American West and on to Japan. Throughout it all, large, admiring crowds and the press had nothing but praise for Edith. Vernick offers plenty of details about Edith’s life on the baseball circuit, telling the tale in a conversational tone that brings the events to life and indicating that the concept of women playing alongside and against men was, if not common, perfectly acceptable. Salerno’s illustrations, variously rendered in charcoal, ink, and gouache, as well as digital color, lovingly evoke the time period and the settings. Much fascinating information about Edith’s long and adventurous life is added in an author’s note.
A forgotten star shines anew. (author’s note, photographs) (Picture book/biography. 5-10)Pub Date: March 29, 2016
ISBN: 978-0-544-61163-4
Page Count: 40
Publisher: Clarion Books
Review Posted Online: Feb. 16, 2016
Kirkus Reviews Issue: March 1, 2016
A welcome, well-researched reflection of cultural pride in the early-reader landscape.
The fourth installment in Delacre’s early-reader series centers on the rich musical traditions of Puerto Rico, once again featuring sibling tree frogs Rafi and Rosi Coquí.
Readers learn along with Rafi and Rosi as they explore bomba, plena, and salsa in three chapters. A glossary at the beginning sets readers up well to understand the Spanish vocabulary, including accurate phoneticization for non-Spanish speakers. The stories focus on Rafi and Rosi’s relationship within a musical context. For example, in one chapter Rafi finds out that he attracts a larger audience playing his homemade güiro with Rosi’s help even though he initially excluded her: “Big brothers only.” Even when he makes mistakes, as the older brother, Rafi consoles Rosi when she is embarrassed or angry at him. In each instance, their shared joy for music and dance ultimately shines through any upsets—a valuable reflection of unity. Informational backmatter and author’s sources are extensive. Undoubtedly these will help teachers, librarians, and parents to develop Puerto Rican cultural programs, curriculum, or home activities to extend young readers’ learning. The inclusion of instructions to make one’s own homemade güiro is a thoughtful addition. The Spanish translation, also by Delacre and published simultaneously, will require a more advanced reader than the English one to recognize and comprehend contractions (“pa’bajo-pa-pa’rriba”) and relatively sophisticated vocabulary.
A welcome, well-researched reflection of cultural pride in the early-reader landscape. (Early reader. 7-9)Pub Date: Sept. 17, 2019
ISBN: 978-0-89239-429-6
Page Count: 64
Publisher: Children's Book Press
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Aug. 15, 2019
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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