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BLUE SKY

A high-voltage stimulus package that encourages close observation of and imaginative thinking about nature, not to mention...

This depiction of the stratosphere in its ever-shifting splendor offers a catalog of concepts for young readers.  

Arms outstretched, smiling face raised and backlit with the rising sun’s glow, the child on the cover radiates infectious joy. Readers follow him (and his family and stuffed monkey) through a series of double-page spreads during which the firmament changes from “Cloud Sky / Rain Sky / Storm Sky” to the eventual “Wish Sky / Sleep Sky / Dream Sky.” There is no particular rhythm or rhyme scheme; the text (shaped, colored and decorated to support the message) simply declares possible and imagined changes in a 24-hour period. Wood’s decision to use pastel paper in deep colors for the backgrounds and compose with gouache highlights and colored pencils contributes to the sensory delight. Vibrant and marvelous as her lines are, it is the texture and tint of the underlying paper that maximizes the sizzle of the sunset and the connection between the lavender moonlight and its reflection in the sea. Compositions vary from scenes in which the dramatic patterns of natural phenomena overwhelm viewers to spacious spreads offering visual rest. The cycle and book close when the cover image is paired with “New Sky.”

A high-voltage stimulus package that encourages close observation of and imaginative thinking about nature, not to mention playing with print to express ideas.   (Picture book. 18 mos.-6)

Pub Date: March 1, 2012

ISBN: 978-0-545-31610-1

Page Count: 32

Publisher: Blue Sky/Scholastic

Review Posted Online: Dec. 13, 2011

Kirkus Reviews Issue: Jan. 1, 2012

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IZZY GIZMO AND THE INVENTION CONVENTION

From the Izzy Gizmo series

A disappointing follow-up.

Inventor Izzy Gizmo is back in this sequel to her eponymous debut (2017).

While busily inventing one day, Izzy receives an invitation from the Genius Guild to their annual convention. Though Izzy’s “inventions…don’t always work,” Grandpa (apparently her sole caregiver) encourages her to go. The next day they undertake a long journey “over fields, hills, and waves” and “mile after mile” to isolated Technoff Isle. There, Izzy finds she must compete against four other kids to create the most impressive machine. The colorful, detail-rich illustrations chronicle how poor Izzy is thwarted at every turn by Abi von Lavish, a Veruca Salt–esque character who takes all the supplies for herself. But when Abi abandons her project, Izzy salvages the pieces and decides to take Grandpa’s advice to create a machine that “can really be put to good use.” A frustrated Izzy’s impatience with a friend almost foils her chance at the prize, but all’s well that ends well. There’s much to like: Brown-skinned inventor girl Izzy is an appealing character, it’s great to see a nurturing brown-skinned male caregiver, the idea of an “Invention Convention” is fun, and a sustainable-energy invention is laudable. However, these elements don’t make up for rhymes that often feel forced and a lackluster story.

A disappointing follow-up. (Picture book. 3-6)

Pub Date: March 1, 2020

ISBN: 978-1-68263-164-5

Page Count: 32

Publisher: Peachtree

Review Posted Online: Jan. 11, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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CINDERELLA

From the Once Upon a World series

A nice but not requisite purchase.

A retelling of the classic fairy tale in board-book format and with a Mexican setting.

Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.

A nice but not requisite purchase. (Board book/fairy tale. 3-5)

Pub Date: Sept. 13, 2016

ISBN: 978-1-4814-7915-8

Page Count: 24

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Oct. 11, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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