Wood (A Cowboy Christmas, 2001, etc.) has retold—and refashioned—a century-old German tale into an engaging, romantic story of the seasons. Mother Earth awakes the Root Children and gathers bits of rainbow for them to make their colorful clothes. The children then wake the bugs and paint them in jewel colors. Aunt Spring welcomes the children in their bright and sweet-scented finery, and when she returns to her bed of ferns and lilies, Cousin Summer enters the scene. Soon, though, studious Uncle Fall arrives, and Mother Earth gathers the Root Children, who leave their brightly colored garments behind. The “masquerade” is over, and the Root Children are tucked in once again for the winter. Bittinger’s (The Rocking Horse Christmas, 1997, etc.) rich oils show a multicultural group of Root Children, who gambol and play in fields, woods, and gardens in the sumptuous colors of forest and meadow. The original, published in German in 1906 by Sibylle von Olfers, was in verse; an early English translation is much more didactic and wordy. In both, the boy Root Children do the painting, the girl Root Children make the clothing, and they come to the earth to do their job, which is to become a profusion of plants, flowers, and grasses. Wood’s tale changes the Root Children’s activities from work to play—not a bad thing, but a definite difference. This can be enjoyed with no knowledge or reference to the earlier tale, of course, and is quite charming in word and image. A song, “Root Children Sleep,” completes the package. (author’s note) (Picture book. 4-8)
Pub Date: April 1, 2001
ISBN: 0-590-42517-X
Page Count: 32
Publisher: Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2002
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BOOK REVIEW
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
This humorous, lively dog’s-eye view provides gentle instruction for interacting with pets.
In Weaver’s charming picture book, a dog reassesses his not-so-glowing review of little kids.
“Families are OVERRATED!” as far as the bluish-gray hound named Dog is concerned. While he approves of the adults in the household, the four small children are for the birds. In an attempt to resolve his conflicted feelings, Dog pours his heart out to a therapist scribbling on a notepad. Dog lists his grievances via couplet rhymes: “And many times I’ve found their dirty toys INSIDE MY BOWL! / It’s obvious these little humans have no SELF-CONTROL!” With key words highlighted in colorful and bolded fonts for more emphasis, his voice now has added urgency. Soylu’s lively drawings in muted tones are wondrously effective in animating Dog; his hanging jowls, big eyes, and floppy ears all convey believably beleaguered expressions. Lifelike details enhance the dramatic effect of the children’s boisterous antics. At the end, Weaver provides a list of do’s and don’ts for interacting with pets. Dog lovers can identify the dog breed silhouettes on the endpapers. Kids will get a kick out of Dog’s opinion of humans and perhaps recognize some behaviors to reconsider.
This humorous, lively dog’s-eye view provides gentle instruction for interacting with pets.Pub Date: July 16, 2024
ISBN: 9781736267370
Page Count: 40
Publisher: A Little Offbeat Publishing
Review Posted Online: April 26, 2024
Kirkus Reviews Issue: June 15, 2024
Review Program: Kirkus Indie
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BOOK REVIEW
BOOK REVIEW
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