Facile redemption aplenty.
A rote addition to the glut of inspirational allegories promising quick fixes for ontological angst through prayer.
The authors, co-founders of Sacred Center New York (“one of the fastest-growing spiritual churches in America,” according to the book’s publicity material), bring us Joseph Hutchinson, a farmer circa 1883 who has always wanted to be a carpenter. Joseph has inherited the family farm and the family curse—all of his male ancestors going back generations have died in their 20s. Joseph expects to suffer the same fate, but finds respite in the farmhouse attic, which exudes a comforting aura. When wife Miriam dies after caring for the daughter of his neighbor (and former crush) Grace, Joseph is left with two small children, a debt-ridden farm and crushing guilt—just before Miriam’s death, he had unwisely dissed a vision of the Angel of Death, who only wanted to give him a mysterious chest. Joseph uncovers a mildewed chest in the attic, containing a notebook left by Joseph’s ancestor Malachi in 1780, which transcribed Grandma Mary’s three secrets of prayer—unfair to divulge here, but suffice it to say that when it comes to prayer, it’s all about you. Joseph replicates the chest according to his vision, and Grace provides the gold lock. The characters write prayers on slips of paper and deposit them in a slot at the top of the chest, which cannot thereafter be opened—kind of like an IRA, only forever. Their prayers are answered: The mean bank president, Charlie, who threatens Joseph with foreclosure, gives him lucrative carpentry contracts. When Charlie’s carriage accidentally runs down an orphaned immigrant Jewish girl, Sarah, Charlie adopts her. Sarah rallies everyone to host a Christmas party, where the town children will receive toys designed by Grace and carved by Joseph. There’s artistic fulfillment and business opportunities for all (except doomed Sarah) and even a fourth secret—whose revelation will have to await the inevitable sequel(s).
Facile redemption aplenty.Pub Date: Oct. 30, 2007
ISBN: 978-0-385-52023-2
Page Count: 160
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2007
These letters from some important executive Down Below, to one of the junior devils here on earth, whose job is to corrupt mortals, are witty and written in a breezy style seldom found in religious literature. The author quotes Luther, who said: "The best way to drive out the devil, if he will not yield to texts of Scripture, is to jeer and flout him, for he cannot bear scorn." This the author does most successfully, for by presenting some of our modern and not-so-modern beliefs as emanating from the devil's headquarters, he succeeds in making his reader feel like an ass for ever having believed in such ideas. This kind of presentation gives the author a tremendous advantage over the reader, however, for the more timid reader may feel a sense of guilt after putting down this book. It is a clever book, and for the clever reader, rather than the too-earnest soul.
Pub Date: Jan. 1, 1942
ISBN: 0060652934
Page Count: 53
Publisher: Macmillan
Review Posted Online: Oct. 17, 2011
Kirkus Reviews Issue: June 15, 1943
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.
Hunter’s debut novel tracks the experiences of her family members during the Holocaust.
Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.Pub Date: Feb. 14, 2017
ISBN: 978-0-399-56308-9
Page Count: 416
Publisher: Viking
Review Posted Online: Nov. 21, 2016
Kirkus Reviews Issue: Dec. 1, 2016
BOOK TO SCREEN
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