Well, it’s a worthy thought, and, well supplied with Floca’s ground-level vignettes, agreeably presented.
Avi’s intrepid deer mouse sets out for a visit home in this fifth Dimwood Forest adventure, taking along her mutinously adolescent son Ragweed Junior in hopes of promoting some bonding.
The ominous news that a bulldozer (owned by the “Derrida Deconstruction Company”) has been parked next to Gray House, the ramshackle farmhouse where Poppy’s pompous father and his multitudinous descendants still live, prompts the trip. Thanks to her previous exploits, Poppy arrives to a hero’s welcome, but barely has time to do more than organize a frantic evacuation before, in a slapstick climax, Junior, his (literally) unsavory buddy Mephitis the skunk and trash-mouthed Ereth the porcupine manage to start up the ’dozer and convert the house into a pile of kindling—which is to say, a mouse condo. The plot, though, takes second fiddle to the author’s proposition that parents too can be “Sick,” (i.e., cool) and teens, despite unappealing personal habits, not quite as hopeless as they might seem.
Well, it’s a worthy thought, and, well supplied with Floca’s ground-level vignettes, agreeably presented. (Fiction. 10-12)Pub Date: Aug. 1, 2005
ISBN: 0-06-000012-0
Page Count: 240
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2005
Wholesome shading to bland, but well-stocked with exotic creatures and locales, plus an agreeable cast headed by a child...
A San Diego preteen learns that she’s an elf, with a place in magic school if she moves to the elves’ hidden realm.
Having felt like an outsider since a knock on the head at age 5 left her able to read minds, Sophie is thrilled when hunky teen stranger Fitz convinces her that she’s not human at all and transports her to the land of Lumenaria, where the ageless elves live. Taken in by a loving couple who run a sanctuary for extinct and mythical animals, Sophie quickly gathers friends and rivals at Foxfire, a distinctly Hogwarts-style school. She also uncovers both clues to her mysterious origins and hints that a rash of strangely hard-to-quench wildfires back on Earth are signs of some dark scheme at work. Though Messenger introduces several characters with inner conflicts and ambiguous agendas, Sophie herself is more simply drawn as a smart, radiant newcomer who unwillingly becomes the center of attention while developing what turn out to be uncommonly powerful magical abilities—reminiscent of the younger Harry Potter, though lacking that streak of mischievousness that rescues Harry from seeming a little too perfect. The author puts her through a kidnapping and several close brushes with death before leaving her poised, amid hints of a higher destiny and still-anonymous enemies, for sequels.
Wholesome shading to bland, but well-stocked with exotic creatures and locales, plus an agreeable cast headed by a child who, while overly fond of screaming, rises to every challenge. (Fantasy. 10-12)Pub Date: Oct. 2, 2012
ISBN: 978-1-4424-4593-2
Page Count: 496
Publisher: Aladdin
Review Posted Online: July 17, 2012
Kirkus Reviews Issue: Sept. 1, 2012
Themes of freedom and responsibility twine between the lines of this short but heavy novel from the author of Because of Winn-Dixie (2000). Three months after his mother's death, Rob and his father are living in a small-town Florida motel, each nursing sharp, private pain. On the same day Rob has two astonishing encounters: first, he stumbles upon a caged tiger in the woods behind the motel; then he meets Sistine, a new classmate responding to her parents' breakup with ready fists and a big chip on her shoulder. About to burst with his secret, Rob confides in Sistine, who instantly declares that the tiger must be freed. As Rob quickly develops a yen for Sistine's company that gives her plenty of emotional leverage, and the keys to the cage almost literally drop into his hands, credible plotting plainly takes a back seat to character delineation here. And both struggle for visibility beneath a wagonload of symbol and metaphor: the real tiger (and the inevitable recitation of Blake's poem); the cage; Rob's dream of Sistine riding away on the beast's back; a mysterious skin condition on Rob's legs that develops after his mother's death; a series of wooden figurines that he whittles; a larger-than-life African-American housekeeper at the motel who dispenses wisdom with nearly every utterance; and the climax itself, which is signaled from the start. It's all so freighted with layers of significance that, like Lois Lowry's Gathering Blue (2000), Anne Mazer's Oxboy (1995), or, further back, Julia Cunningham's Dorp Dead (1965), it becomes more an exercise in analysis than a living, breathing story. Still, the tiger, "burning bright" with magnificent, feral presence, does make an arresting central image. (Fiction. 10-12)
Pub Date: March 1, 2001
ISBN: 0-7636-0911-0
Page Count: 128
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2001
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