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POPPY’S RETURN

From the Poppy series , Vol. 6

Well, it’s a worthy thought, and, well supplied with Floca’s ground-level vignettes, agreeably presented.

Avi’s intrepid deer mouse sets out for a visit home in this fifth Dimwood Forest adventure, taking along her mutinously adolescent son Ragweed Junior in hopes of promoting some bonding.

The ominous news that a bulldozer (owned by the “Derrida Deconstruction Company”) has been parked next to Gray House, the ramshackle farmhouse where Poppy’s pompous father and his multitudinous descendants still live, prompts the trip. Thanks to her previous exploits, Poppy arrives to a hero’s welcome, but barely has time to do more than organize a frantic evacuation before, in a slapstick climax, Junior, his (literally) unsavory buddy Mephitis the skunk and trash-mouthed Ereth the porcupine manage to start up the ’dozer and convert the house into a pile of kindling—which is to say, a mouse condo. The plot, though, takes second fiddle to the author’s proposition that parents too can be “Sick,” (i.e., cool) and teens, despite unappealing personal habits, not quite as hopeless as they might seem.

Well, it’s a worthy thought, and, well supplied with Floca’s ground-level vignettes, agreeably presented. (Fiction. 10-12)

Pub Date: Aug. 1, 2005

ISBN: 0-06-000012-0

Page Count: 240

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2005

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KEEPER OF THE LOST CITIES

From the Keeper of the Lost Cities series , Vol. 1

Wholesome shading to bland, but well-stocked with exotic creatures and locales, plus an agreeable cast headed by a child...

A San Diego preteen learns that she’s an elf, with a place in magic school if she moves to the elves’ hidden realm.

Having felt like an outsider since a knock on the head at age 5 left her able to read minds, Sophie is thrilled when hunky teen stranger Fitz convinces her that she’s not human at all and transports her to the land of Lumenaria, where the ageless elves live. Taken in by a loving couple who run a sanctuary for extinct and mythical animals, Sophie quickly gathers friends and rivals at Foxfire, a distinctly Hogwarts-style school. She also uncovers both clues to her mysterious origins and hints that a rash of strangely hard-to-quench wildfires back on Earth are signs of some dark scheme at work. Though Messenger introduces several characters with inner conflicts and ambiguous agendas, Sophie herself is more simply drawn as a smart, radiant newcomer who unwillingly becomes the center of attention while developing what turn out to be uncommonly powerful magical abilities—reminiscent of the younger Harry Potter, though lacking that streak of mischievousness that rescues Harry from seeming a little too perfect. The author puts her through a kidnapping and several close brushes with death before leaving her poised, amid hints of a higher destiny and still-anonymous enemies, for sequels.

Wholesome shading to bland, but well-stocked with exotic creatures and locales, plus an agreeable cast headed by a child who, while overly fond of screaming, rises to every challenge. (Fantasy. 10-12)

Pub Date: Oct. 2, 2012

ISBN: 978-1-4424-4593-2

Page Count: 496

Publisher: Aladdin

Review Posted Online: July 17, 2012

Kirkus Reviews Issue: Sept. 1, 2012

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RED-EYED TREE FROG

Bishop’s spectacular photographs of the tiny red-eyed tree frog defeat an incidental text from Cowley (Singing Down the Rain, 1997, etc.). The frog, only two inches long, is enormous in this title; it appears along with other nocturnal residents of the rain forests of Central America, including the iguana, ant, katydid, caterpillar, and moth. In a final section, Cowley explains how small the frog is and aspects of its life cycle. The main text, however, is an afterthought to dramatic events in the photos, e.g., “But the red-eyed tree frog has been asleep all day. It wakes up hungry. What will it eat? Here is an iguana. Frogs do not eat iguanas.” Accompanying an astonishing photograph of the tree frog leaping away from a boa snake are three lines (“The snake flicks its tongue. It tastes frog in the air. Look out, frog!”) that neither advance nor complement the action. The layout employs pale and deep green pages and typeface, and large jewel-like photographs in which green and red dominate. The combination of such visually sophisticated pages and simplistic captions make this a top-heavy, unsatisfying title. (Picture book. 7-9)

Pub Date: March 1, 1999

ISBN: 0-590-87175-7

Page Count: 32

Publisher: Scholastic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 1999

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