Avi at his most Margaret Wise Brown–esque, in nine offbeat, gnomic tales, drawn from the 30 in his first, same-named collection (1970). Sounding very much like the stories that children would make up themselves, these are daffy and nonsensical, starting and ending in odd places and going sort of nowhere in the middle. The result, however, is inevitably a sly grin. In the title story, a boy and a cat compare notes about their days—“ ‘I went out West, looking for tigers. If you don’t believe me, look how dirty my hands are . . . ’ The Cat said, ‘Oh, sorry you were gone. While you were gone chasing tigers, a dragon came and ate all my food.’ ” Subsequently, a pair of girls dig “Tunnels” to China, and other tales pose such unusual problems as an elephant trying to drink water from a glass, a hippo striving to fit into a new car, and a Story searching for an end. Priceman (Little Red Riding Hood, not reviewed, etc.) also looks to her influences, with bright, swirling, vigorously brushed scenes reminiscent of color-drenched Chagall. These cheerfully unconventional, irresistibly buoyant episodes will brighten any young child’s outlook—and cheer up some adults, too. (Short stories. 4-8)
Pub Date: Oct. 1, 2002
ISBN: 0-689-83914-6
Page Count: 40
Publisher: Anne Schwartz/Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2002
A book that will make young dog-owners smile in recognition and confirm dogless readers' worst suspicions about the mayhem caused by pets, even winsome ones. Sam, who bears passing resemblance to an affable golden retriever, is praised for fetching the family newspaper, and goes on to fetch every other newspaper on the block. In the next story, only the children love Sam's swimming; he is yelled at by lifeguards and fishermen alike when he splashes through every watering hole he can find. Finally, there is woe to the entire family when Sam is bored and lonely for one long night. Boland has an essential message, captured in both both story and illustrations of this Easy-to-Read: Kids and dogs belong together, especially when it's a fun-loving canine like Sam. An appealing tale. (Picture book. 4-8)
Pub Date: April 1, 1996
ISBN: 0-8037-1530-7
Page Count: 40
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1996
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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