Like a prism, this novel brilliantly illuminates the human spectrum of connection and longing.
A doctoral student in art history strikes up a relationship with a mysterious painter.
When an unnamed graduate student receives a fellowship to conduct research on medieval art, she needs a place to stay. Seeing an apartment advertised through her department, she arranges with the owner, Pascal, a professor of medieval studies, to rent it. Pascal’s wife, a painter named Agnes, has a studio upstairs; she will be in the city “from time to time.” But when Agnes arrives, early in the student’s yearlong stay, she shows no signs of going anywhere. At first, the student is glad for the company and intrigued by Agnes and her art, both of which are characterized by their “restrained elegance.” But as their friendship unfolds, Agnes reveals herself, both through visits to her studio (where she works fretfully at an all-white painting) and long talks, telling increasingly confessional stories about her relationships: with an old friend, an ex–au pair, with her parents, her children, and her husband. As the student is put more off-balance by Agnes’ intensity, she wonders what it is that is really going on behind Agnes’ facade. Despite the thriller-ish underpinning of the novel and the propulsive unfolding of the relationship at the book’s heart, Savas’ graceful and intellectual prose is the star of the show here. It makes air-light what might otherwise be a novel ponderous with weighty questions: What is the nature of art? Does it reveal or conceal? What is the nature of human connection? As Agnes says, “It wasn’t often…that we could present ourselves to others, like a self-portrait. More often, we made portraits of the people around us, guessing at their features from occasional glimpses.”
Like a prism, this novel brilliantly illuminates the human spectrum of connection and longing.Pub Date: Nov. 30, 2021
ISBN: 978-0-593-33051-7
Page Count: 192
Publisher: Riverhead
Review Posted Online: Sept. 14, 2021
Kirkus Reviews Issue: Oct. 1, 2021
BOOK REVIEW
BOOK REVIEW
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
A promising blueprint for a book that didn’t quite get written.
When their father dies on the cliffs of his California estate, estranged half-siblings unite to investigate possible foul play.
As Dave’s seventh novel opens, the reader learns something the characters don’t know: Hotel magnate Liam Noone did not fall by accident. He was pushed—by whom and for what reason are unclear. The police have deemed it an accident and closed the case, but his son, Sam, is not so sure. Though he hasn’t seen his half sister, Nora, in years, he shows up at her workplace in New York to ask her to go with him to California to investigate. This part of the story is told by Nora in the first person. We get a lot of information about Nora—she has recently lost both parents, she’s an authority on neuroarchitecture, she is engaged to a New York chef but has an ex in the wings—but somehow don’t get much of a feel for her as a person as she and Sam race around investigating leads and having defensive, snappy conversations. A second narrative thread begins 50 years in the past and follows the development of a romance between Liam and a woman named Cory, who is not one of his three ex-wives, nor is she a woman named Cece with whom he had a mysterious connection. The novel relies on the tension created by all these missing puzzle pieces to plunge swiftly forward, but there’s nothing really at stake—no strong suspects, no wrongly accused, no contested inheritance; it’s all just digging up the secrets of a dead person so his children can understand him now that it’s too late. Actually, nobody really understands each other in this book, and as the characters suspiciously keep each other at arm’s length, the effect extends to the reader as well. Other potentially interesting topics—neuroarchitecture (designing spaces that support emotional well-being), the high-end hotel business—are similarly set up but not explored.
A promising blueprint for a book that didn’t quite get written.Pub Date: Sept. 17, 2024
ISBN: 9781668002933
Page Count: 320
Publisher: Marysue Rucci Books
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
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