Graceful, discerning literary essays.
Essays on how the work of Vladimir Nabokov evoked the feelings of alienation and loss that many experienced in post-revolutionary Iran.
When a “violent ideological totalitarian revolution” proclaimed itself as the Islamic Republic of Iran, Nafisi (The Republic of Imagination: America in Three Books, 2014, etc.) felt “in a perpetual state of exile” from her beloved homeland. As a teacher and critic, she found in Nabokov a clear articulation of those feelings. “For him,” she writes, “exile was not just a physical migration,” but “a feeling of unreality, orphanhood, isolation.” Her close readings, along with critical and biographical studies, inform seven empathetic, incisive essays that together provide a sweeping overview of Nabokov’s major works. Translated by Khonji and revised for this publication in English, the essays predate, and contextualize, Nafisi’s acclaimed memoir, Reading Lolita in Tehran (2003). Nabokov, more than other authors she was reading and teaching, spoke to the “deep traumatic and anguished existence” that pervaded life under a repressive dictatorship. He was acutely sensitive “to bad literature, autocratic regimes, and racial, ethnic, or religious prejudice.” In his two overtly “political novels,” Invitation to a Beheading and Bend Sinister, he represents totalitarianism as a mindset that believes it alone holds “a monopoly on reality” to which all must defer, and in which all artistic creativity and expressions of individuality are considered subversive and dangerous. In confronting this tension between politics and art, Nabokov, rather than depict totalitarianism’s destructive and “horrific reality,” explored how “creative minds” perceive and “resist its onslaught.” Among other works Nafisi examines are the parody Pnin, in which the main character “can be considered a literary descendent of Quixote”; Pale Fire; The Real Life of Sebastian Knight; and Ada (the first of Nabokov’s novels that she read), which influenced her profoundly. The novel, she writes, “did not merely portray quotidian realities—it articulated the reader’s subjective realities.” In a sensitive, cleareyed reading of Lolita, Nafisi sees the novel as more than a portrayal of obsession or parody of love but an inquiry into questions of individuality, personal liberty, and loss.
Graceful, discerning literary essays.Pub Date: June 25, 2019
ISBN: 978-0-300-15883-0
Page Count: 376
Publisher: Yale Univ.
Review Posted Online: April 22, 2019
Kirkus Reviews Issue: May 15, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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