A chilling portrait of painful attempts to reconcile past colonial sins with crying present needs.
An Algerian singer finds his star waning with the onslaught of the Islamic revolution—in musician-playwright Chouaki’s politically trenchant third novel, his first to appear in English.
It’s 1990 when, in Algiers, the first rumblings by Islamist extremists are heeded by the disaffected and largely impoverished populace. Méziane Boudjiri, known as Moussa Massy on stage, is 36 and a singer of modern Kabyle (African Berber) music who lives in three rooms with fourteen of his family members in a soulless apartment block called Cité Mer et Soleil. Moussa is handsome, scornful of the “beards,” and determined to make a name for himself and to quit the grinding despair of his country. Yet, despite his stint of well-paying gigs, Moussa’s income goes to help support his family, and marriage to the lovely, sheltered Fatiha is out of the question without an apartment of his own. With a smooth, wealthy diplomat’s son, Rachid, acting as his manager, Moussa gains a newspaper interview and is hired to play at upscale clubs frequented by the European-educated upper class; his name is well known and he even begins to record his music—before it’s pirated and adulterated without his consent. Moussa’s star seems to be inexorably tied to the fate of his country: with the takeover by the Islamists, his fellow musicians flee the country, his girlfriend’s traditional family forces her to marry a more suitable cousin, and the fancy club Moussa works for becomes a den of thugs. “Day after day, Moussa deteriorates, at the same pace of Algeria, allegro,” Chouaki writes in his dictation-like prose, switching briefly from third person to first and jotting off strings of graphic impressions. Chouaki’s spurts of slangy dialogue read a bit stilted in English, but the overall result is viscerally affecting. Descending into drug abuse, apathy, and violence, Moussa is eventually transformed into the same fanatic, cold-blooded Jihadist he once reviled.
A chilling portrait of painful attempts to reconcile past colonial sins with crying present needs.Pub Date: Jan. 1, 2005
ISBN: 1-55597-412-0
Page Count: 304
Publisher: Graywolf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2004
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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