OROMAY

Searing novel of war by dissident Ethiopian writer Girma.

Part spy thriller, part melodrama, roman à clef through and through, Girma’s story centers on a moment of Ethiopian history that, in that demographically young country, is all but forgotten. It is the early 1980s, and Ethiopia, under a Marxist military dictatorship, has set out to conquer neighboring Eritrea. “Every day another campaign of some sort,” complains his fiancee, Roman, to a propaganda officer named Tsegaye Hailemaryam. “Now the Red Star Campaign to fix the Eritrean problem. We are addicted to campaigns, but I can’t wait until we can be done with them.” Caught up in the excitement of certain victory, Tsegaye jumps at the chance to go to the front, exalting the invading forces and excoriating the Eritrean resistance, which he depicts as terrorists. The soldiers in Girma’s narrative are pawns, but the officers are well-rounded: One general is so militarily perfect that “even his Afro, though thinning, has sharp edges,” while a schoolmate of Tsegaye’s, Colonel Wolday Tariku, can’t wait to fight: “Give Wolday a drink and a rifle and he is a happy man.” As Roman foresees, Tsegaye forgets his vows to her and falls in love with an Eritrean beauty and Mata Hari named Fiammetta Gilay. Girma’s writing is most immediate in the slaughterhouse of battle, which is not for the squeamish: “A decapitated torso with blood pumping from where a neck once was....A bullet-ridden corpse with an open mouth and unblinking eyes staring up at the red sky.” As the tautly written story resolves, failure, death, and disillusionment are its constants. It’s worth noting that, although the Marxist regime tried to suppress it, Girma’s novel was an underground bestseller in Ethiopia in the early 1980s—and for his criticisms of that regime, Girma paid with his life.

An exemplary anti-war novel from a little-known theater of conflict.