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GOKUL VILLAGE AND THE MAGIC FOUNTAIN

From the Gokul! Adventures series

The vibrant colors and kid-friendly character design are sure to draw kids; librarians and parents will applaud the...

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Six kids with diverse talents and of diverse ethnicities team up to fix a broken fountain and discover its magic in this picture-book series starter from debut author team Chapman and Das, with vibrant illustrations by veteran Chua (How Nivi Got Her Names, 2017).

The fountain in the center of Gokul village has lost its former glory. Its pipes are clogged, and the orbs that decorate its rim are grimy. But to Zoya, Christopher, Riya, Dalai, Noelle, and Jacob, it’s a place that inspires them to create, all in different ways. All six have a special talent, and they meet at the fountain to enjoy their friendship. When the mayor threatens to cancel the New Year’s festival because the fountain is so old and broken, the kids restore their fountain, and it magically gives them each a wish—and a journey to different New Year’s celebrations around the world. Though each child has a different heritage, beautifully emphasized in the illustrations by their clothing choices, the architecture of the buildings in Gokul village, and the religious symbols they restore to the fountain, the text doesn’t make their diversity feel unusual. Instead, appreciating one another’s cultures is the norm. Oddly, the New Year’s celebrations listed happen at different times of year (Chinese New Year, Diwali, and New Year’s Eve), making the village’s resulting New Year’s celebration mixed up rather than multicultural.

The vibrant colors and kid-friendly character design are sure to draw kids; librarians and parents will applaud the celebration of teamwork and normalized cultural diversity.

Pub Date: Sept. 1, 2017

ISBN: 978-0-692-91738-1

Page Count: 32

Publisher: Big Bold Beautiful World Media

Review Posted Online: Oct. 2, 2017

Kirkus Reviews Issue: Nov. 1, 2017

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TALES FOR VERY PICKY EATERS

Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)

Pub Date: May 1, 2011

ISBN: 978-0-547-14956-1

Page Count: 48

Publisher: Clarion Books

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: April 1, 2011

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CINDERELLA

From the Once Upon a World series

A nice but not requisite purchase.

A retelling of the classic fairy tale in board-book format and with a Mexican setting.

Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.

A nice but not requisite purchase. (Board book/fairy tale. 3-5)

Pub Date: Sept. 13, 2016

ISBN: 978-1-4814-7915-8

Page Count: 24

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Oct. 11, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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