by Baltasar Magro ; illustrated by Dani Padrón ; translated by Jon Brokenbrow ‧ RELEASE DATE: Nov. 12, 2019
Trippy ant conservation from Spain.
Will the inhabitants of an anthill constantly under attack by two children find a way to stop the violence?
This is one weird book, but it’s not without merit. The art and text complement each other perfectly, creating a world that evokes Latin American magical realism, the visual distinctiveness of Lane Smith’s art, and the worldbuilding of the movie Antz. At the outset, the cartoon ant pictured on the cover—with mustache, eyebrows, and gold star on his blue uniform—is shown in “the deepest part of the anthill,” which includes ant-proportioned decor such as ceramic urns and a potted plant. Gen. Ant has been performing the task of food storage but interrupts himself when he learns of an imminent attack on the anthill. He sends an order to soldier ants by “sending a special aroma signal that wafted through the many tunnels and caves in the colony.” (Throughout the book, facts about ants are thus interspersed with tongue-in-cheek descriptions.) White-presenting siblings Chloe and Jack—whose large, round, white eyeballs have turquoise irises plopped in the middle like the yolks of fried eggs—make a game of poking anthills and squishing ants. Gen. Ant, a captain, and a flying ant devise a plan to stop the children. Via the flying ant’s subliminal invasion of Jack’s dream, the text becomes suddenly didactic, with an ending so abrupt readers may think an army of ants has removed the final pages. Still, it’s great fun, and its clearly stated message is inarguable.
Trippy ant conservation from Spain. (Picture book. 3-6)Pub Date: Nov. 12, 2019
ISBN: 978-84-16733-48-4
Page Count: 28
Publisher: Cuento de Luz
Review Posted Online: July 13, 2019
Kirkus Reviews Issue: Aug. 1, 2019
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by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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by Eric Carle ; illustrated by Eric Carle ‧ RELEASE DATE: Dec. 15, 2015
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
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