A rich, accomplished piece about a pioneer in the art world.
This impressive biography of Vasily Kandinsky highlights the unusual connection between his art and the music that inspired it.
As a young boy in Russia, Vasily—nicknamed Vasya—glumly studies “bookfuls of math, science, and history.” His heavy eyelids droop; he sits “stiff and straight” while adults drone on. Then his aunt gives him a paint box, and everything changes. As Vasya mixes one hue with another, he hears the colors making sounds. “Whisper” is set in a faux handwriting type; “HISS” is also set in a different type from the primary text. Vasya listens as “swirling colors trill…like an orchestra tuning up.” Rosenstock explains the mixing of Vasya’s senses—synesthesia, in contemporary terms—through the shapes he paints: “Crunching crimson squares,” “[w]hispering charcoal lines” and “a powerful navy rectangle that vibrated deeply like the lowest cello strings.” Using acrylic paint and paper collage, Grandpré emphasizes the blending of two arts by showing Vasya’s paintbrush-holding arms aloft as if he were conducting and by letting Vasya’s colors waft upward from his palette, making curlicues in the air, with music staffs and notes interwoven. As Vasya grows up, he faces resistance to his nonrepresentational work, including the repeated interrogation, “What’s it supposed to be?”—but his magnificent, abstract, sound-inspired paintings won’t be repressed.
A rich, accomplished piece about a pioneer in the art world. (author’s note, painting reproductions, sources) (Picture book/biography. 5-10)Pub Date: Feb. 11, 2014
ISBN: 978-0-307-97848-6
Page Count: 40
Publisher: Knopf
Review Posted Online: Nov. 16, 2013
Kirkus Reviews Issue: Dec. 1, 2013
A beautifully designed book that will resonate with children and the adults who wisely share it with them.
An inspirational ode to the life of the great South African leader by an award-winning author and illustrator.
Mandela’s has been a monumental life, a fact made clear on the front cover, which features an imposing, full-page portrait. The title is on the rear cover. His family gave him the Xhosa name Rolihlahla, but his schoolteacher called him Nelson. Later, he was sent to study with village elders who told him stories about his beautiful and fertile land, which was conquered by European settlers with more powerful weapons. Then came apartheid, and his protests, rallies and legal work for the cause of racial equality led to nearly 30 years of imprisonment followed at last by freedom for Mandela and for all South Africans. “The ancestors, / The people, / The world, / Celebrated.” Nelson’s writing is spare, poetic, and grounded in empathy and admiration. His oil paintings on birch plywood are muscular and powerful. Dramatic moments are captured in shifting perspectives; a whites-only beach is seen through a wide-angle lens, while faces behind bars and faces beaming in final victory are masterfully portrayed in close-up.
A beautifully designed book that will resonate with children and the adults who wisely share it with them. (author’s note, bibliography) (Picture book/biography. 5-8)Pub Date: Jan. 2, 2013
ISBN: 978-0-06-178374-6
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Nov. 18, 2012
Kirkus Reviews Issue: Dec. 1, 2012
An emotional entry point to a larger, necessary discussion on this complex and difficult subject.
The paths of four migrant children from different Central American countries cross as they enter Mexico, and together they continue their journey to the United States.
Though their reasons for undertaking the perilous journey are different, their hopes are not: They all hope for asylum in the U.S. Ten-year-old Alessandra, from Guatemala, hopes to reunite with her mother, who left four years ago. Thirteen-year-old Laura and her 7-year-old brother, Nando, from El Salvador, are going to live with relatives in the U.S. And 14-year-old Rodrigo, from Honduras, will try to join his parents in Nebraska rather than join a local gang. Along the way they encounter danger, hunger, kindness from strangers, and, most importantly, the strength of friendship with one another. Through the four children, the book provides but the barest glimpse into the reasons, hopes, and dreams of the thousands of unaccompanied minors that arrive at the U.S.–Mexico border every year. Artist Guevara has added Central American folk art–influenced details to her illustrations, giving depth to the artwork. These embellishments appear as line drawings superimposed on the watercolor scenes. The backmatter explains the reasons for the book, helping to place it within the larger context of ongoing projects at Baylor University related to the migration crisis in Central America.
An emotional entry point to a larger, necessary discussion on this complex and difficult subject. (Picture book. 7-10)Pub Date: July 7, 2020
ISBN: 978-1-64442-008-9
Page Count: 40
Publisher: Six Foot Press
Review Posted Online: June 2, 2020
Kirkus Reviews Issue: June 15, 2020
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