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THE LAST SAFE HOUSE

Name: THE LAST SAFE HOUSE
Author: Barbara Greenwood
ISBN: 1-55074-507-7

A STORY OF THE UNDERGROUND RAILROAD

by Barbara Greenwood & illustrated by Heather Collins ‧ RELEASE DATE: Dec. 1, 1998

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In short chapters, the story of fictional escaped slave Eliza Jackson and her family unfold, paralleling the effect on and courage of Canadian Johanna Reid and her family, who hide Eliza and her brother Ben until they can safely reunite with their mother. The narrative introduces the points of view of Johanna, who must cope with the changes the “midnight visitors” bring, and Eliza and Ben, who recount their adventures traveling north to Canada from Virginia. Smoothly sandwiched in are maps, drawings, and factual passages that give background details of the time, such as life on Southern plantations, profiles of important figures in the history of abolitionism, and activities, which nicely break up the information. The clean, approachable design presents all of these elements in a clear, organized manner and the black-and-white illustrations complement both fictional and historical elements. While no more dramatic or emotional than entries in the American Girls series, the book authentically examines the people and logistics of the Underground Railroad in an accessible and unusual way. (glossary, bibliography) (Fiction. 8-12)

Pub Date: Dec. 1, 1998

ISBN: 1-55074-507-7

Page Count: 128

Publisher: Kids Can

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 1998

Categories:

CHILDREN'S HISTORY

- BOOK REVIEW
GOLD RUSH FEVER
by Barbara Greenwood & illustrated by Heather Collins

- BOOK REVIEW
A PIONEER THANKSGIVING
by Barbara Greenwood

IF YOU LIVED DURING THE PLIMOTH THANKSGIVING

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IF YOU LIVED DURING THE PLIMOTH THANKSGIVING

by Chris Newell ; illustrated by Winona Nelson ‧ RELEASE DATE: Nov. 2, 2021

Essential.

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A measured corrective to pervasive myths about what is often referred to as the “first Thanksgiving.”

Contextualizing them within a Native perspective, Newell (Passamaquoddy) touches on the all-too-familiar elements of the U.S. holiday of Thanksgiving and its origins and the history of English colonization in the territory now known as New England. In addition to the voyage and landfall of the Mayflower, readers learn about the Doctrine of Discovery that arrogated the lands of non-Christian peoples to European settlers; earlier encounters between the Indigenous peoples of the region and Europeans; and the Great Dying of 1616-1619, which emptied the village of Patuxet by 1620. Short, two- to six-page chapters alternate between the story of the English settlers and exploring the complex political makeup of the region and the culture, agriculture, and technology of the Wampanoag—all before covering the evolution of the holiday. Refreshingly, the lens Newell offers is a Native one, describing how the Wampanoag and other Native peoples received the English rather than the other way around. Key words ranging from estuary to discover are printed in boldface in the narrative and defined in a closing glossary. Nelson (a member of the Leech Lake Band of Minnesota Chippewa) contributes soft line-and-color illustrations of the proceedings. (This book was reviewed digitally.)

Essential. (Nonfiction. 8-12)

Pub Date: Nov. 2, 2021

ISBN: 978-1-338-72637-4

Page Count: 96

Publisher: Scholastic Nonfiction

Review Posted Online: Oct. 12, 2021

Kirkus Reviews Issue: Nov. 1, 2021

Categories:

CHILDREN'S HISTORY | CHILDREN'S HOLIDAYS & CELEBRATIONS

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FARMER GEORGE PLANTS A NATION

by Peggy Thomas & illustrated by Layne Johnson ‧ RELEASE DATE: Feb. 1, 2008

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A pleasing new picture book looks at George Washington’s career through an agricultural lens. Sprinkling excerpts from his letters and diaries throughout to allow its subject to speak in his own voice, the narrative makes a convincing case for Washington’s place as the nation’s First Farmer. His innovations, in addition to applying the scientific method to compost, include a combination plow-tiller-harrow, the popularization of the mule and a two-level barn that put horses to work at threshing grain in any weather. Thomas integrates Washington’s military and political adventures into her account, making clear that it was his frustration as a farmer that caused him to join the revolutionary cause. Lane’s oil illustrations, while sometimes stiff, appropriately portray a man who was happiest when working the land. Backmatter includes a timeline, author’s notes on both Mount Vernon and Washington the slaveholder, resources for further exploration and a bibliography. (Picture book/biography. 8-12)