As always, Kingsolver gives readers plenty to think about. Her warm humanism coupled with an unabashed point of view make...
Alternating between two centuries, Kingsolver (Flight Behavior, 2012, etc.) examines the personal and social shocks that ensue when people’s assumptions about the world and their place in it are challenged.
The magazine Willa Knox worked for went broke, and so did the college where her husband, Iano, had tenure, destroying the market value of their Virginia home, which stood on college land. They should be grateful to have inherited a house in Vineland, New Jersey, just a half-hour commute from Iano’s new, non-tenured one-year gig, except it’s falling apart, and they have been abruptly saddled with son Zeke’s infant after his girlfriend commits suicide. In the same town during Ulysses Grant’s presidency, science teacher Thatcher Greenwood is also grappling with a house he can’t afford to repair as well as a headmaster hostile to his wish to discuss Darwin’s theory of evolution with his students and a young wife interested only in social climbing. While Willa strives to understand how her comfortable middle-class life could have vanished overnight, her 26-year-old daughter, Tig, matter-of-factly sees both her mother’s disbelief and her Greek-immigrant grandfather Nick’s racist diatribes and hearty approval of presidential candidate Donald Trump as symptoms of a dying culture of entitlement and unbridled consumption. Lest this all sound schematic, Kingsolver has enfolded her political themes in two dramas of family conflict with full-bodied characters, including Mary Treat, a real-life 19th-century biologist enlisted here as the fictional friend and intellectual support of beleaguered Thatcher. Sexy, mildly feckless Iano and Thatcher’s feisty sister-in-law, Polly, are particularly well-drawn subsidiary figures, and Willa’s doubts and confusion make her the appealing center of the 21st-century story. The paired conclusions, although hardly cheerful, see hope in the indomitable human instinct for survival. Nonetheless, the words that haunt are Tig’s judgment on blinkered America: “All the rules have changed and it’s hard to watch people keep carrying on just the same, like it’s business as usual.”
As always, Kingsolver gives readers plenty to think about. Her warm humanism coupled with an unabashed point of view make her a fine 21st-century exponent of the honorable tradition of politically engaged fiction.Pub Date: Oct. 16, 2018
ISBN: 978-0-06-268456-1
Page Count: 480
Publisher: Harper/HarperCollins
Review Posted Online: July 1, 2018
Kirkus Reviews Issue: July 15, 2018
PROFILES
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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