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ADÈLE & SIMON IN AMERICA

From the Adèle & Simon series

Still channeling Kate Greenaway in the art, though adding her own vein of sly humor, McClintock recycles the plot of her award-winning Adèle and Simon (2006) across a much larger stage. To the vast annoyance of big sister Adèle, absent-minded young Simon proceeds to strew his gear—from journal and pencil box to buckskin jacket and cowboy hat—across the turn-of-the-20th-century United States as indulgent Aunt Cécile conducts the two on a coast-to-coast—and back—tour. The broad, very finely drawn American scenes reward close study; not only are the small tourists and their lost items there to be picked out, but each spread is stocked with bustling figures and business, along with accurately rendered architectural and historical detail. The repetitive narrative may pall on adult readers of the well-heeled pair’s previous outing, but children have more tolerance for that sort of thing, and the elegant period visuals supply plenty of eye candy. (Picture book. 6-8)

Pub Date: Aug. 5, 2008

ISBN: 978-0-374-39924-5

Page Count: 40

Publisher: Frances Foster/Farrar, Straus & Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2008

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HOW I BECAME A PIRATE

Thanks to parrot-toting Braidbeard and his gloriously disreputable crew, a lad discovers the ups and downs of a pirate’s life in this rousing mini-epic. His mom and dad busy on another part of the beach, young Jeremy happily joins a band of hook-handed, eye-patched, snaggle-toothed pirates aboard their ship, learning pirate table manners (none), enjoying a game of nautical soccer until a shark eats the ball, then happily retiring without having to brush teeth, or even don pajamas. But then Jeremy learns that pirates don’t get tucked in, or get bedtime stories, and as for good night kisses—Avast! Worse yet, no one offers comfort when a storm hits. So, giving over the pirate’s life, Jeremy shows the crew where to bury its treasure (his backyard), and bids them goodbye. Shannon outfits Braidbeard’s leering, pop-eyed lot in ragged but colorful pirate dress, and gives his young ruffian-in-training a belt and bandanna to match. This isn’t likely to turn pirate wannabees into landlubbers, but it will inspire a chorus of yo-ho-hos. (Picture book. 6-8)

Pub Date: Sept. 1, 2003

ISBN: 0-15-201848-4

Page Count: 44

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2003

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RUSSELL THE SHEEP

Scotton makes a stylish debut with this tale of a sleepless sheep—depicted as a blocky, pop-eyed, very soft-looking woolly with a skinny striped nightcap of unusual length—trying everything, from stripping down to his spotted shorts to counting all six hundred million billion and ten stars, twice, in an effort to doze off. Not even counting sheep . . . well, actually, that does work, once he counts himself. Dawn finds him tucked beneath a rather-too-small quilt while the rest of his flock rises to bathe, brush and riffle through the Daily Bleat. Russell doesn’t have quite the big personality of Ian Falconer’s Olivia, but more sophisticated fans of the precocious piglet will find in this art the same sort of daffy urbanity. Quite a contrast to the usual run of ovine-driven snoozers, like Phyllis Root’s Ten Sleepy Sheep, illustrated by Susan Gaber (2004). (Picture book. 6-8)

Pub Date: April 1, 2005

ISBN: 0-06-059848-4

Page Count: 40

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2005

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