Elegantly subversive and utterly charming comes a doll story with a sweet shot of reality. Porcelain colors and delicate line reign in the Victorian-style illustrations, full of verdant hills, beautifully appointed interiors, and lovely detail. When Charlotte gets the gift of a doll from her Aunt Edme, she is not pleased. In her little button boots with a pinafore over her blue dress, she explains to the doll that she and her teddy, Bruno, like climbing trees and making mud cakes. The doll seems to take to this, however, and Charlotte names her Dahlia because, in her froufrou getup, she looks like one. Dahlia also takes to Bruno’s favorite game, “toss-up-in-the-air-and-land-in-a-heap.” But Charlotte is quite upset when, while climbing high in her favorite tree with doll and bear, Dahlia falls to the ground. She takes the doll home, cleans and bandages her, and when Aunt Edme comes for dinner, presents herself, Dahlia, and Bruno. Aunt Edme, as laced and beribboned as Dahlia, kisses them all and notes that when she saw Dahlia in the shop window, she knew “she needed to be out in the sunshine, and played with, and loved.” Charlotte’s room is a wonder, full of shells, birds’ nests, and mounted butterflies. She bests the boys in a wagon race (Dahlia and Bruno are passengers) and paints watercolors in her sketchbook. Little girls already know that linen, silk, and ribbons aren’t incompatible with insatiable curiosity and boundless energy, but it is nice to see that all tied up in a story with a favorite doll. (Picture book. 4-8)
Pub Date: Aug. 29, 2002
ISBN: 0-374-31678-3
Page Count: 32
Publisher: Frances Foster/Farrar, Straus & Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2002
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
This humorous, lively dog’s-eye view provides gentle instruction for interacting with pets.
In Weaver’s charming picture book, a dog reassesses his not-so-glowing review of little kids.
“Families are OVERRATED!” as far as the bluish-gray hound named Dog is concerned. While he approves of the adults in the household, the four small children are for the birds. In an attempt to resolve his conflicted feelings, Dog pours his heart out to a therapist scribbling on a notepad. Dog lists his grievances via couplet rhymes: “And many times I’ve found their dirty toys INSIDE MY BOWL! / It’s obvious these little humans have no SELF-CONTROL!” With key words highlighted in colorful and bolded fonts for more emphasis, his voice now has added urgency. Soylu’s lively drawings in muted tones are wondrously effective in animating Dog; his hanging jowls, big eyes, and floppy ears all convey believably beleaguered expressions. Lifelike details enhance the dramatic effect of the children’s boisterous antics. At the end, Weaver provides a list of do’s and don’ts for interacting with pets. Dog lovers can identify the dog breed silhouettes on the endpapers. Kids will get a kick out of Dog’s opinion of humans and perhaps recognize some behaviors to reconsider.
This humorous, lively dog’s-eye view provides gentle instruction for interacting with pets.Pub Date: July 16, 2024
ISBN: 9781736267370
Page Count: 40
Publisher: A Little Offbeat Publishing
Review Posted Online: April 26, 2024
Kirkus Reviews Issue: June 15, 2024
Review Program: Kirkus Indie
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