Georgina and younger brother Toby begin a homeless life living in Mom’s car, having been evicted when Dad leaves. Mom tries her best to work two minimum-wage jobs in order to make the security deposit for a new apartment while the kids struggle daily to maintain normalcy in and out of school. Desperate to help Mom gain some significant cash, Georgina concocts a grand scheme to steal a dog, dupe the owner into offering a $500 reward and then return the designated pooch for the cash. As crazy as this sounds, O’Connor weaves a suspenseful and achingly realistic story, fleshing out characters that live and breathe anxiety, fortitude and a right vs. wrong consciousness. Colorful, supporting roles of a wise, kind vagrant and a lonely, overweight dog owner round out this story of childhood helplessness, ingenuity and desolation. Georgina’s reflections in a secretly kept “how-to” journal will have kids anticipating her misconceptions about the realities of theft and deception. A powerful portrayal from an innocently youthful perspective. (Fiction. 10-12)
Pub Date: April 6, 2007
ISBN: 0-374-33497-8
Page Count: 176
Publisher: Frances Foster/Farrar, Straus & Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2007
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
On equal footing with a garden-variety potato.
The new kid in school endures becoming the school mascot.
Ben Hardy has never cared for potatoes, and this distaste has become a barrier to adjusting to life in his new Idaho town. His school’s mascot is the Spud, and after a series of misfortunes, Ben is enlisted to don the potato costume and cheer on his school’s team. Ben balances his duties as a life-sized potato against his desperate desire to hide the fact that he’s the dork in the suit. After all, his cute new crush, Jayla, wouldn’t be too impressed to discover Ben’s secret. The ensuing novel is a fairly boilerplate middle–grade narrative: snarky tween protagonist, the crush that isn’t quite what she seems, and a pair of best friends that have more going on than our hero initially believes. The author keeps the novel moving quickly, pushing forward with witty asides and narrative momentum so fast that readers won’t really mind that the plot’s spine is one they’ve encountered many times before. Once finished, readers will feel little resonance and move on to the next book in their to-read piles, but in the moment the novel is pleasant enough. Ben, Jayla, and Ben’s friend Hunter are white while Ellie, Ben’s other good pal, is Latina.
On equal footing with a garden-variety potato. (Fiction. 10-12)Pub Date: March 24, 2020
ISBN: 978-0-593-11866-5
Page Count: 272
Publisher: Random House
Review Posted Online: Nov. 23, 2019
Kirkus Reviews Issue: Dec. 15, 2019
BOOK REVIEW
Themes of freedom and responsibility twine between the lines of this short but heavy novel from the author of Because of Winn-Dixie (2000). Three months after his mother's death, Rob and his father are living in a small-town Florida motel, each nursing sharp, private pain. On the same day Rob has two astonishing encounters: first, he stumbles upon a caged tiger in the woods behind the motel; then he meets Sistine, a new classmate responding to her parents' breakup with ready fists and a big chip on her shoulder. About to burst with his secret, Rob confides in Sistine, who instantly declares that the tiger must be freed. As Rob quickly develops a yen for Sistine's company that gives her plenty of emotional leverage, and the keys to the cage almost literally drop into his hands, credible plotting plainly takes a back seat to character delineation here. And both struggle for visibility beneath a wagonload of symbol and metaphor: the real tiger (and the inevitable recitation of Blake's poem); the cage; Rob's dream of Sistine riding away on the beast's back; a mysterious skin condition on Rob's legs that develops after his mother's death; a series of wooden figurines that he whittles; a larger-than-life African-American housekeeper at the motel who dispenses wisdom with nearly every utterance; and the climax itself, which is signaled from the start. It's all so freighted with layers of significance that, like Lois Lowry's Gathering Blue (2000), Anne Mazer's Oxboy (1995), or, further back, Julia Cunningham's Dorp Dead (1965), it becomes more an exercise in analysis than a living, breathing story. Still, the tiger, "burning bright" with magnificent, feral presence, does make an arresting central image. (Fiction. 10-12)
Pub Date: March 1, 2001
ISBN: 0-7636-0911-0
Page Count: 128
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2001
BOOK TO SCREEN
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