by Barbara Reid ; illustrated by Barbara Reid ‧ RELEASE DATE: March 1, 2013
For Arbor Day and every day.
Master of Plasticine Reid returns with a celebration of trees and the people who love them.
“There is more than one way to picture a tree.” So begins Reid’s sparsely written, lushly illustrated paean to trees. Written in the second person, the narrator allows readers to imagine trees in many different ways: from branches “drawing” in the sky to a tunnel of trees or an ocean of trees and anything in between. Though the gentle words will encourage readers to slow down and think about what they love about trees, it’s the art that’s the star here. The Plasticine is expressive, detailed and gestural, with emotions showing on each face and careful craft in even the tiniest leaf and twig. The background of each spread has been smoothed and textured, colored and filled with birds, leaves and airplanes. Readers will marvel at the amazing details she includes on each human and animal form—earrings, straw hats, melting ice cream—even eye-rolling teenage boys! The story arc takes readers from late spring to winter and through time. One spectacular double-page spread shows a modern barefooted child in a tree, but the reflection is an old-fashioned reader in socks wearing a rucksack. The varying perspectives shown make this a special book indeed.
For Arbor Day and every day. (Picture book. 3-8)Pub Date: March 1, 2013
ISBN: 978-0-8075-6526-1
Page Count: 32
Publisher: Whitman
Review Posted Online: Jan. 27, 2013
Kirkus Reviews Issue: Feb. 15, 2013
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by Julien Chung ; illustrated by Julien Chung ‧ RELEASE DATE: July 15, 2025
A bit predictable but pleasantly illustrated.
Bill Martin Jr and John Archambault’s classic alphabet book Chicka Chicka Boom Boom (1989) gets the Halloween treatment.
Chung follows the original formula to the letter. In alphabetical order, each letter climbs to the top of a tree. They are knocked back to the ground in a jumble before climbing up in sequence again. In homage to the spooky holiday theme, they scale a “creaky old tree,” and a ghostly jump scare causes the pileup. The chunky, colorful art is instantly recognizable. The charmingly costumed letters (“H swings a tail. / I wears a patch. J and K don / bows that don’t match”) are set against a dark backdrop, framed by pages with orange or purple borders. The spreads feature spiderwebs and jack-o’-lanterns. The familiar rhyme cadence is marred by the occasional clunky or awkward phrase; in particular, the adapted refrain of “Chicka chicka tricka treat” offers tongue-twisting fun, but it’s repeatedly followed by the disappointing half-rhyme “Everybody sneaka sneak.” Even this odd construction feels shoehorned into place, since “sneaking” makes little sense when every character in the book is climbing together. The final line of the book ends on a more satisfying note, with “Everybody—time to eat!”
A bit predictable but pleasantly illustrated. (Picture book. 3-7)Pub Date: July 15, 2025
ISBN: 9781665954785
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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