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DOROTHY L. SAYERS

HER LIFE AND SOUL

Another ``interim report'' on the life (1893-1957) of the creator of Lord Peter Wimsey and reluctant Christian apologist, by a longtime friend, completer of Sayers's translation of Dante and author of The Passionate Intellect: Dorothy L. Sayers' Encounter with Dante (1989- -not reviewed). The problem all Sayers's biographers face is to reconcile her early career as a pioneer and leading theorist of the formal detective story with the religious plays, essays, and lectures to which she committed her last 15 years. In the absence of a collected edition of Sayers's letters, Reynolds still tries to make Sayers speak for herself whenever possible by quoting letters, conversations, and passages from her voluminous writings. The result is a view of the writer that Sayers herself would likely have approved of: as a generous, fiercely intelligent woman whose cardinal passion, her intellectual ardor, led her from Oxford to the hand-to-mouth London bohemianism that spawned the inimitably foppish Wimsey and then, quite logically, to a defense of the writer's imagination (The Mind of the Maker) that set forth Sayers's understanding of the Trinity. Despite some stiffness in the early chapters, and a disinclination to criticize her subject even mildly, Reynolds captures the ardent nature that sustained Sayers through her unrequited love affairs, her pregnancy without marriage, her lifelong support of the son she never publicly acknowledged, and the writing she felt certain from the beginning was her vocation. It isn't until the popular Wimsey books are behind, though, that Reynolds's matching passion comes out—she calls The Mind of the Maker and The Man Born to Be King Sayers's ``two greatest works''—and the biography comes into its own, even though only a few years of Sayers's life remain before Reynolds encounters the preemptive shadow of her own earlier book. Best, then, on the later years—the years of her own friendship with Sayers—that Reynolds has already described so sympathetically. Fans of Lord Peter may feel let down. (Thirty b&w photographs)

Pub Date: Oct. 1, 1993

ISBN: 0-312-09787-5

Page Count: 416

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1993

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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