by Barbara Shook Hazen & illustrated by Emily Arnold McCully ‧ RELEASE DATE: Sept. 1, 2002
The Irish potato famine of the 1840s, as seen through a little girl’s eyes. Young Katie misses her Da, who left Ireland to go to Boston more than two Christmases ago. Most of what she eats at Grand Da’s is potatoes, not with milk and onion and butter, as Mam used to make, but plain boiled. Katie wishes the potatoes away, and is horrified when they begin to turn black and mushy. Katie believes it is her fault, and guilt gnaws at her like the hunger, especially when Grannie takes sick and they have to sell Pig. But Da sends money for Katie to come to America, and she and her cousin Brian take that cramped and tumultuous voyage. When she arrives and Da takes her to her aunt’s home, her fear and guilt come tumbling out at the sight of Aunt Meg’s potatoes, made like Mam’s. Her father soothes her and assures her it isn’t her fault; words cannot make bad things happen. While the resolution is a bit pat, the famine is put in terms that small children can understand, and they will recognize Katie’s fear. Her grandparents’ cottage, the verdant and stricken land, the miserable trip to Galway and then across the ocean, and finally her reunion with her Da are rendered by Caldecott-winner McCully (Mirette on the High Wire, 1991) in fine soft pictures, a misty-moisty, gray-and-green palette, brightened by Katie’s—and her father’s—red hair. (author’s note) (Picture book/historical fiction. 5-8)
Pub Date: Sept. 1, 2002
ISBN: 0-8037-2478-0
Page Count: 32
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2002
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by Amy Krouse Rosenthal ; illustrated by Tom Lichtenheld ‧ RELEASE DATE: April 1, 2015
Although the love comes shining through, the text often confuses in straining for patterned simplicity.
A collection of parental wishes for a child.
It starts out simply enough: two children run pell-mell across an open field, one holding a high-flying kite with the line “I wish you more ups than downs.” But on subsequent pages, some of the analogous concepts are confusing or ambiguous. The line “I wish you more tippy-toes than deep” accompanies a picture of a boy happily swimming in a pool. His feet are visible, but it's not clear whether he's floating in the deep end or standing in the shallow. Then there's a picture of a boy on a beach, his pockets bulging with driftwood and colorful shells, looking frustrated that his pockets won't hold the rest of his beachcombing treasures, which lie tantalizingly before him on the sand. The line reads: “I wish you more treasures than pockets.” Most children will feel the better wish would be that he had just the right amount of pockets for his treasures. Some of the wordplay, such as “more can than knot” and “more pause than fast-forward,” will tickle older readers with their accompanying, comical illustrations. The beautifully simple pictures are a sweet, kid- and parent-appealing blend of comic-strip style and fine art; the cast of children depicted is commendably multiethnic.
Although the love comes shining through, the text often confuses in straining for patterned simplicity. (Picture book. 5-8)Pub Date: April 1, 2015
ISBN: 978-1-4521-2699-9
Page Count: 40
Publisher: Chronicle Books
Review Posted Online: Feb. 15, 2015
Kirkus Reviews Issue: March 1, 2015
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by Julie Danneberg & illustrated by Judy Love ‧ RELEASE DATE: Feb. 1, 2006
None
One more myth dispelled for all the students who believe that their teachers live in their classrooms. During the last week of school, Mrs. Hartwell and her students reflect on the things they will miss, while also looking forward to the fun that summer will bring. The kids want to cheer up their teacher, whom they imagine will be crying over lesson plans and missing them all summer long. But what gift will cheer her up? Numerous ideas are rejected, until Eddie comes up with the perfect plan. They all cooperate to create a rhyming ode to the school year and their teacher. Love’s renderings of the children are realistic, portraying the diversity of modern-day classrooms, from dress and expression to gender and skin color. She perfectly captures the emotional trauma the students imagine their teachers will go through as they leave for the summer. Her final illustration hysterically shatters that myth, and will have every teacher cheering aloud. What a perfect end to the school year. (Picture book. 5-8)
None NonePub Date: Feb. 1, 2006
ISBN: 1-58089-046-6
Page Count: 32
Publisher: Charlesbridge
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2006
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