An offering in the Chapters series from Holmes (Letters to Julia, p. 381) takes another look at the well-worn subject of baby siblings. Eloise has a new sister named Mary Alice. Her mother thinks the baby is perfect, but Eloise thinks she looks more like a sausage roll than anything else—and she'd rather not even think about the way Mary Alice sounds and smells. In fact, she'd prefer to ignore her completely, but that's impossible; Eloise's father is away on an extended top-secret government job, and he's asked Eloise to report on Mary Alice's progress. With her friend Jenny, Eloise cooks up a surprise for her father's return: They show Mary Alice his picture every day so she'll recognize him from the start. Things don't turn out quite as they planned—the full-size, fully animated father scares Mary Alice, accustomed to the nice, still picture, but he's willing to be patient. The plot is transparent, and the story is clipped and rushed, but Holmes shoehorns in plenty of humor, believable characterizations, and a satisfying conclusion. (full-color illustrations, not seen) (Fiction. 7-10)
Pub Date: April 1, 1997
ISBN: 0-7868-2260-0
Page Count: 60
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1997
BOOK REVIEW
BOOK REVIEW
Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)
Pub Date: June 1, 2000
ISBN: 0-7636-0792-4
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2000
Trisha is ready to start at a new school, where no one will know she has dyslexia. At first, she is heartbroken to be in Miss Peterson’s special-ed class, aka, “the junkyard.” But Miss Peterson treats the children as anything but junk, showing them that everyone has a unique talent. Polacco’s trademark style is fully present here; her sensitively drawn alter ego shines with depth of feeling. When bullying occurs, Miss Peterson proves her students are worthwhile by planning a junkyard field trip, where they find valuable objects to be used in exciting ways. Trisha’s group repairs a plane, and the class buys an engine for it. Then a beloved class member dies, and the children must find a way to honor him. While the plot meanders somewhat, the characters are appealing, believable and provide a fine portrayal of a truly special class. Children will be drawn in by the story’s warmth and gentle humor and will leave with a spark of inspiration, an appreciation of individual differences and a firm anti-bullying message, all underscored by the author’s note that concludes the book. (Picture book. 7-10)
Pub Date: July 1, 2010
ISBN: 978-0-399-25078-1
Page Count: 48
Publisher: Philomel
Review Posted Online: May 31, 2010
Kirkus Reviews Issue: June 15, 2010
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