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IF YOU HAD A FAMILY

From mystery writer Wilson (Trouble in Transylvania, 1993, etc.), a pretentiously lyrical story of healing and recovery—one that pushes all the usual buttons as a woman recollects the long- buried losses and traumas of childhood. In her 30s, Cory Winter, a successful CPA and amateur painter, with Rosemary, a new lover, at her side, should be on top of the world. She isn't. Living in Seattle, she feels alienated, happier alone, and unable to respond to the abundant affection Rosemary offers. Cory recalls her seemingly happy childhood in southern California in the 1950's, with Polly, her mother, who created a flower-filled garden and taught Cory how to draw; West, a dependable father; and a cute little brother, Kevin. But gardens have a long history of harboring with their perfection the agents of their destruction, and the Winters' garden is no different. Polly Winter was raised as a Christian Scientist by her strict midwestern mother, and though she escaped to California, she could not free herself from either her mother or her faith. Which means that when she finds a lump in her breast, she tries to heal it with prayer, undergoing surgery, at West's insistence, only when it's too late. Intimidated by her mother's presence, Polly also failed to notice her brother Steve's abusive behavior to Cory on visits to them. When Polly became ill and died, Cory's childhood and life as part of a close-knit family ended. Her father moved them to an apartment, withdrawing into himself, and as soon as she was old enough Cory left. Years later, therapy, confessions to her brother, and a visit rich in epiphany to England enable her finally to put her past behind her and move on, with Rosemary at her side. Wilson's self-absorbed protagonist with her tiresome, politically correct lover and blighted family irritates more than she engages. Not this author's best. (Author tour)

Pub Date: Sept. 1, 1996

ISBN: 1-878067-83-4

Page Count: 304

Publisher: Seal Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1996

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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