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DANCE ON A SEALSKIN

Young Annie formally joins her Yupik community by performing her first traditional dance during a gathering of the villagers, in a tale based on Winslow and Sloat's experiences as teachers along the Yukon River and the Bering Sea. As Annie nervously watches other dancers and remembers her recently passed grandmother Olga's instruction, readers will get a perceptive, unselfconscious look at how new and old commingle in modern potlatch; musicians pounding skin drums wear jeans and t- shirts, smiling faces sport eyeglasses, dancers in work shirts wave lovely fur and feather fans. The dances commemorate hunts, and in Sloat's lively full-page and three-quarter-spread paintings the animals themselves seem to rise up and join the action. At last it's Annie's turn, and as she dances a walrus hunt on a silver sealskin (which she later gives to a baby for her ``First Dance''), Olga's figure silently joins the group. Afterward, Annie's father offers everyone mittens, dishtowels, fish traps, ax handles candy, gum, and akutaq (Eskimo ice cream). Potlatch customs may differ from place to place, as the authors properly point out in a prefatory note, but the feeling behind them is universal, and comes through clearly here. (Picture book. 7-9)

Pub Date: June 1, 1995

ISBN: 0-88240-442-3

Page Count: 32

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 1995

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RIVER STORY

Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)

Pub Date: June 1, 2000

ISBN: 0-7636-0792-4

Page Count: 32

Publisher: Candlewick

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2000

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HORRIBLE HARRY AT HALLOWEEN

Every year since kindergarten, Harry’s Halloween costume has gotten scarier and scarier. What’s it going to be this year? He’s not telling. His classmates are all stunned when he shows up, not as some monster or a weird alien (well, not really)—but as neatly dressed Sgt. Joe Friday of Dragnet fame, wielding a notebook and out to get “just the facts, ma’am.” As she has in Harry’s 11 previous appearances (15, counting the ones his classmate Song Lee headlines), Kline (Marvin and the Mean Words, 1997, etc.) captures grammar-school atmosphere, personalities, and incidents perfectly, from snits to science projects gone hilariously wrong. She even hands Harry/Friday a chance to exercise his sleuthing abilities, with a supply of baby powder “fairy dust” gone mysteriously missing. As legions of fans have learned to expect, Harry comes through with flying colors, pinning down the remorseful culprit in 11 minutes flat. No surprises here, just reliable, child-friendly, middle-grade fare. Illustrations not seen. (Fiction. 7-9)

Pub Date: Sept. 1, 2000

ISBN: 0-670-88864-8

Page Count: 64

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2000

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