Overall: thin, despite good local color.
Evocative scenes of Depression-era Colorado, with a low-wattage plot and unconvincing characters.
Screenwriter and second-novelist Wright (Easy Money, 1995) nicely details life on the plains, where drought and wind have take away the topsoil, and loneliness and hardship are constant for struggling farmers and their wives. Newly married to Alfred Bowen, Virginia was raised as a Quaker and is working for the Quakers when she meets Alfred in Mexico, where he has a job with the YMCA, though already decided to return home and farm: not to the lush family ranch on the well-watered mountain slopes, where his mother and father still live, but to a piece of treeless land to the east. The couple, who’ve met only twice but fall in love through letters, decide to marry, and Virginia comes out to Denver for the ceremony. At 34, she hasn’t expected to marry, and, though she’s deeply in love with Alfred, she has some hurts to bear—she’s been told she can’t have children—and certain secrets that give her shame. Alfred is also troubled by his past. Believing that his father despised him and preferred his elder brother, Samuel, who died in an accident, Alfred refuses to ask him for help, an attitude that nearly ruins him when low prices, drought, and a hard winter threaten ruin. As Virginia tries to adjust to farm life, she recalls her earlier years and regrets that she can’t have a child to end her isolation. Nothing goes well, and life gets even more complicated when Virginia discovers she actually is pregnant. They impulsively ask her brother, Jonathan, a shell-shocked veteran of WWI, to come to help them. Though a whiz with animals, Jonathan is entirely unpredictable and causes nothing but trouble. He forgets his chores and manages to get Ida, a local mentally disabled laundry woman, pregnant, as the farm falls on even harder times. Some unexpected if schematic solutions do appear.
Overall: thin, despite good local color.Pub Date: April 1, 2003
ISBN: 0-7432-3020-5
Page Count: 352
Publisher: Scribner
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2003
Absolutely enthralling. Read it.
A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!
Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.
Absolutely enthralling. Read it.Pub Date: April 16, 2019
ISBN: 978-1-984-82217-8
Page Count: 288
Publisher: Hogarth
Review Posted Online: Feb. 17, 2019
Kirkus Reviews Issue: March 1, 2019
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"This soil," concludes the young narrator of this quiet chronicle of garrotted innocence, "is bad for all kinds of flowers. Certain seeds it will not nurture, certain fruit it will not bear." And among the exclusions of white rural Ohio, echoed by black respectability, is ugly, black, loveless, twelve-year-old Pecola. But in a world where blue-eyed gifts are clucked over and admired, and the Pecolas are simply not seen, there is always the possibility of the dream and wish—for blue eyes. Born of a mother who adjusted her life to the clarity and serenity of white households and "acquired virtues that were easy to maintain" and a father, Cholly, stunted by early rejections and humiliations, Pecola just might have been loved—for in raping his daughter Cholly did at least touch her. But "Love is never better than the lover," and with the death of her baby, the child herself, accepting absolutely the gift of blue eyes from a faith healer (whose perverse interest in little girls does not preclude understanding), inches over into madness. A skillful understated tribute to the fall of a sparrow for whose small tragedy there was no watching eye.
Pub Date: Oct. 29, 1970
ISBN: 0375411550
Page Count: -
Publisher: Holt Rinehart & Winston
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: Oct. 1, 1970
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