by Barbro Lindgren ; illustrated by Eva Eriksson ; translated by Julia Marshall ‧ RELEASE DATE: April 5, 2022
A sensitive, atmospheric story depicting the fragility and rewards of friendship.
The protagonist mourns his friendless status in this tale by two longtime Swedish collaborators.
Originally published by R and S Books (1992), this version has a larger trim size and updated illustrations, although the diminutive man retains his tan coat, brown hat, and chubby cheeks. He is a lonely figure, sitting on his front steps, wishing for a companion. Dogs and old men are mean to him: “People thought he was too small and possibly a bit slow.” He creates a sign advertising for a friend and waits patiently outside. On the 10th night, he awakens to find a dog nuzzling his hand. Lindgren and Eriksson slowly build interactions of mutual delight: playful roughhousing, bedtime arrangements (dog in bed; man in dresser drawer), shared meals. The bare trees of winter silhouetted against a gray sky yield to dancing flowers surrounded by a warm, green landscape. The dog’s antics, e.g., peeing on the fence, will amuse young viewers, just as the sad moments will touch them. All is well (there is even payback to the bullies) until a little girl visits. Three is a perilous number in relationships, and the man flees to the forest, where “[h]is tears fell like pearls on the moss.” When the man returns home to investigate, a joyful reunion ensues, and the trio figures out how to abide together. The man and the girl are light-skinned. (This book was reviewed digitally.)
A sensitive, atmospheric story depicting the fragility and rewards of friendship. (Picture book. 4-7)Pub Date: April 5, 2022
ISBN: 978-1-77657-409-4
Page Count: 36
Publisher: Gecko Press
Review Posted Online: March 29, 2022
Kirkus Reviews Issue: April 15, 2022
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Sarah Jennings
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by Tish Rabe ; illustrated by Dan Yaccarino
by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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