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ANDREW DREW AND DREW

Joyful imagination, plain and simple.

An unassuming boy, a single lead pencil and plenty of fresh white space make for a true descendent of Harold and the Purple Crayon, with its own flavor.

Andrew is a “doodle boy” with a standard pencil. This book’s thick, glossy pages are his expansive workspace: Andrew appears on the pages, drawing, and the pages are also the paper he’s drawing upon. Some pages are the same width as the cover, others narrower or wider, turning over or folding out to change a drawing’s meaning. Andrew doesn’t plan; he draws and sees where it takes him. “[B]efore he kn[ows] it,” an abstract line becomes a kite and then a rocket. If he draws stairs, they’re physical enough for him to sit on—but turn the flap, and they’re a dinosaur’s back. Andrew himself is rendered in color, while his carefully shaded desk and pencil sharpener are—quite wonderfully—the gray of his own pencil. “When night dr[aws] near,” Andrew slowly fills the space with dark pencil crosshatches until it’s something else entirely—perhaps the next day’s artwork or a nighttime dream. Any question of reality versus representation is the gentlest kind, utterly unobtrusive. Adults should keep an eye on the midbook 3-D easel featuring small, stapled-on papers vulnerable to eager hands, because those papers hold text as well as illustration.

Joyful imagination, plain and simple. (Picture book. 3-6)

Pub Date: Oct. 1, 2012

ISBN: 978-1-4197-0377-5

Page Count: 40

Publisher: Abrams Appleseed

Review Posted Online: Aug. 7, 2012

Kirkus Reviews Issue: Sept. 1, 2012

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DIGGERSAURS

Count on construction die-hards falling in love, but discerning readers would be wise to look elsewhere for their...

Less ambitious than Chris Gall’s widely known Dinotrux (2009) and sequels, this British import systematically relegates each dinosaur/construction-equipment hybrid to its most logical job.

The title figures are introduced as bigger than both diggers and dinosaurs, and rhyming text and two construction-helmeted kids show just what these creatures are capable of. Each diggersaur has a specific job to do and a distinct sound effect. The dozersaurus moves rocks with a “SCRAAAAPE!!!” while the rollersaurus flattens lumps with a cheery “TOOT TOOT!!” Each diggersaur is numbered, with 12 in all, allowing this to be a counting book on the sly. As the diggersaurs (not all of which dig) perform jobs that regular construction equipment can do, albeit on a larger scale, there is no particular reason why any of them should have dinosaurlike looks other than just ’cause. Peppy computer art tries valiantly to attract attention away from the singularly unoriginal text. “Diggersaurs dig with bites so BIG, / each SCOOP creates a crater. // They’re TOUGH and STRONG / with necks so long— / they’re super EXCAVATORS!” Far more interesting are the two human characters, a white girl and a black boy, that flit about the pictures offering commentary and action. Much of the fun of the book can be found in trying to spot them on every two-page spread.

Count on construction die-hards falling in love, but discerning readers would be wise to look elsewhere for their dino/construction kicks. (Picture book. 3-6)

Pub Date: April 2, 2019

ISBN: 978-1-9848-4779-9

Page Count: 32

Publisher: Random House

Review Posted Online: Jan. 14, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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HAPPY EASTER FROM THE CRAYONS

Let these crayons go back into their box.

The Crayons return to celebrate Easter.

Six crayons (Red, Orange, Yellow, Esteban, who is green and wears a yellow cape, White, and Blue) each take a shape and scribble designs on it. Purple, perplexed and almost angry, keeps asking why no one is creating an egg, but the six friends have a great idea. They take the circle decorated with red shapes, the square adorned with orange squiggles “the color of the sun,” the triangle with yellow designs, also “the color of the sun” (a bit repetitious), a rectangle with green wavy lines, a white star, about which Purple remarks: “DID you even color it?” and a rhombus covered with blue markings and slap the shapes onto a big, light-brown egg. Then the conversation turns to hiding the large object in plain sight. The joke doesn’t really work, the shapes are not clear enough for a concept book, and though colors are delineated, it’s not a very original color book. There’s a bit of clever repartee. When Purple observe that Esteban’s green rectangle isn’t an egg, Esteban responds, “No, but MY GOSH LOOK how magnificent it is!” Still, that won’t save this lackluster book, which barely scratches the surface of Easter, whether secular or religious. The multimedia illustrations, done in the same style as the other series entries, are always fun, but perhaps it’s time to retire these anthropomorphic coloring implements. (This book was reviewed digitally.)

Let these crayons go back into their box. (Picture book. 3-5)

Pub Date: Feb. 7, 2023

ISBN: 978-0-593-62105-9

Page Count: 32

Publisher: Philomel

Review Posted Online: Oct. 11, 2022

Kirkus Reviews Issue: Nov. 1, 2022

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